Tag Archives: Nonfiction

The Ten Zombie Films You Must See before You Reanimate

With the recent release of World War Z and the upcoming season four of The Walking Dead, zombies in pop culture are harder to kill than the (ahem) real thing. So are “best of” lists. Even Rolling Stone made a “ten best zombie movies” list, so what follows is hardly original in conception or content. Still, some of you asked for it, so here it is—my list of the ten zombie films you have to see before you reanimate and try to eat your kids. Feel free to disagree, kvetch, and counter-argue. I’m pretty sure I’ll forget approximately six hundred movies that should be on this list.

First, a few rules: believe it or not, I haven’t seen every single zombie film ever made. I will therefore decline to cheat and put anything on this list that I haven’t experienced first-hand (sorry, Fido and Plague of the Zombies; I’ll get to you one of these days).

Second, I won’t list any movies that are what I like to call “zombie-adjacent”—films in which the hordes often act like zombies but are not, in fact, reanimated corpses. That forces me to leave out several movies I really dig and would still recommend that you see before you shuffle off this mortal coil, come back as a zombie, and spend all your time, uh, shuffling around this mortal coil.

Such movies include 28 Days Later and its good-but-inferior sequel, 28 Weeks Later; Planet Terror, Robert Rodriguez’s excellent modern-day grindhouse flick; and the Evil Dead films. I have seen Raimi’s trilogy on some zombie lists, though I’m not sure why. Sure, a couple of corpses come back and make trouble, but mostly, it’s about spirits and what they do with live bodies.

Other films that are worth watching but have no place on this list: George A. Romero’s The Crazies and the 2010 remake starring Timothy Olyphant, two more zombie-adjacent flicks; and Drew Goddard’s fine meta work The Cabin in the Woods, which features zombies but also a couple dozen other supernatural baddies.

Third, I can’t in good conscience write about anything I saw years ago but was too drunk or exhausted to remember. Thus, at least one staple of zombie top ten lists, Peter Jackson’s Dead Alive, doesn’t make the cut, through no fault of its own.

You could easily argue that Return of the Living Dead should be on here, given that it is generally credited for introducing zombies that hunger for brains, not flesh (a stereotype that does not hold in most canonical texts) and, according to some critics, the concept of fast-moving, even intelligent zombies. It’s fun in its own way, but it deviates so strongly from the visions of people like George A. Romero that I would only be putting it on the list because of its difference. I’d still advise you to watch it at least once, and if you’re a fan, feel free to substitute it for either #9 or #10 below.

On to the list…

10.       White Zombie (1932), directed by Victor Halperin. White Zombie

This movie, which many viewers still find creepy, features an interesting performance from Dracula himself, Bela Lugosi, long before he torpedoed his career with drugs and starring roles in Ed Wood movies. One of the taglines: “See them dug from the grave and put to work as slaves to murder!” Set in Haiti, the film locates zombies in exotic locales inhabited by dark-skinned people, which allows for the continuing comfort of the first-world viewer. It also both contributes to and reflects the early 20th century’s problematic racial attitudes in ways that later zombie films engage more directly and complexly. Madge Bellamy’s very white protagonist, Madeline, is reduced to a zombie slave on a Haitian plantation, providing an interesting wrinkle to any allegorical readings of race. Some critics believe that the movie can be read as an anti-imperialist text; they suggest that the characters’ attitudes toward Madeline, the nature of zombification, and the plantation itself mirror Western colonial attitudes. All that is well and good. But this movie is on my list mainly because it is widely considered the first zombie film, and if you’re going to delve into the canon, you might as well start with cinema’s version of Patient Zero. You might love it or find it cheesy, badly acted, and horribly dated, but you should experience it for yourself before the inevitable zombie apocalypse.

9. [REC] (2007), directed by Jaume Balagueró and Paco Plaza. [REC]

Purists may well cry foul here and accuse me of breaking rule #2. They may well be right, and if you think so, feel free to strike this one out and replace it with what you feel is my most egregious omission. I, however, am giving [REC] a pass that I did not give films like 28 Days Later for a couple of reasons: a) the antagonists act like zombies, including through their stubborn refusal to die from anything but a head shot, and b) the film itself leaves their exact condition ambiguous. While the movie pretty much tells us that their illness seems to be viral, such that it can pass from animals to humans, many zombie outbreaks in cinema are similarly sourced. [REC] suggests, near the end, a possible non-zombie cause of the outbreak, and it is often unclear whether the victims are truly reanimated or if their zombie-like condition is merely the last stage of some illness. Enough ambiguity exists for me to include this film here.

And, as horror films go, it’s a doozy. A Spanish movie, it may well test your ocular and cognitive abilities while you watch the action and read the dialogue simultaneously. The plot centers on a young female reporter and her cameraman, Pablo, as they cover a local fire company’s night shift. When the company answers an emergency call about an ill woman who won’t come out of her apartment, the reporter and cameraman tag along, only to find themselves quarantined inside the building as the occupants and would-be rescuers are transformed into vicious creatures that rip into human flesh.

The film is probably best known for its cinematographic conceit. We see the entire film from Pablo the cameraman’s perspective; his handheld camera is the only camera used, which immerses the viewer in the characters’ experience. We only see what Pablo films; we only hear what he can pick up on his camera microphone. It’s unsettling and scary, perhaps even more so than The Blair Witch Project.

The acting here is much better than you’ll see in White Zombie or the Romero movies, which you have to grade on a sliding scale. You can’t expect Academy Award-winning performances when you’re working with an unknown cast and a 73-cent budget. [REC] has more to work with, but it’s still a horror film, so don’t expect to discover the next Olivier or Brando.

One of the movie’s taglines— “Whatever You Witness….. Never Stop Recording”—might well be the basic direction for any reality TV cameraman.  [REC] was remade in America as Quarantine, a nearly shot-for-shot remake. But I would seek out the original and watch it first. Tell Netflix I sent you.

8.         Day of the Dead (1985), directed by George A. Romero.  Day of the Dead

Some zombiephiles feel very strongly that this movie is the second-best Romero entry in the canon. Here, it appears at #8 mainly because I’ve seen it less than the others and don’t feel comfortable placing it higher.

In Day of the Dead, the apocalypse has already happened. The plot focuses on the few survivors holed up in a military bunker. The scientists there conduct gruesome experiments on the zombies as the survivors try, with varying degrees of success, to cope with the realities and tensions of their lives. The scientists are convinced that the dead can be reconditioned, and much of the film is spent exploring zombie physiology and psychology. In fact, much of the fanboy love for the movie stems from the explanations for why zombies eat human flesh and so forth.

That’s all well and good, but you’ll also be treated to some old-fashioned zombie attacks. Come for the blood and guts; stay for the course on zombie motivation.

7.         World War Z (2013), directed by Mark Forster.  World War Z

Elsewhere I have already expressed my admiration for this movie’s pulse-pounding action sequences, for how it represents an evolution in zombie methodology (the swarming behaviors that mimic certain animals, the idea that zombies can tell the difference between a good meal and a bad one), the way the production managed to snag a prestigious director and star (Brad frickin’ Pitt!!!). I have also articulated my problems with the film’s character development and its over-dependence on CGI. Plus, there’s this issue, to quote Kalene Westmoreland: “a lot of these problems wouldn’t have happened if they just had a can of WD-40.” Seriously, they spend five minutes talking about how the creatures are attracted to sound, and then they take the world’s squeakiest collection of bicycles to the plane? Every door in the WHO facility has to creak like it belongs in a haunted house?

Here, though, the positives truly outweigh the negatives. World War Z lives up to its title; it takes a global view of the zombie apocalypse, demonstrating that these filmmakers truly understand the scale implied in the term. Philadelphia collapses. Israel is overrun. And after all that international carnage, the climax is surprisingly intimate and intense, providing both a break from and a logical extension of the larger issues.

If you haven’t seen this movie yet and you’re a fan of zombies, action movies, apocalypse narratives, or Brad Pitt, get thee to your local theater. If you have seen it, spread the word.

6.         Zombieland (2009), directed by Ruben Fleischer. Zombieland

World War Z had an Oscar nominee in Brad Pitt. Zombieland has four: Woody Harrelson, Jesse Eisenberg, Abigail Breslin, and Bill Murray, who plays himself in a hilarious small role. The other major star, Emma Stone, is a Screen Actors Guild award winner and one of Hollywood’s hottest young actors. Therefore, if you’re looking for A-list acting and recognizable faces, you can’t find a better zombie flick than this.

The premise: zombies have taken over the world (or, at least, America). Our young protagonist, Columbus (so named because that’s where he wants to go), decides to see if his parents are still alive, so he takes to the road, where he encounters the eccentric, zombie-hating, Twinkie-loving  Tallahassee (Harrelson); the beguiling Wichita (Stone); and young-but-not-helpless Little Rock (Breslin). Columbus has survived because of his “rules,” which could double as a meta lesson on what every dumb character in horror films never does: limber up before you enter any unknown territory, in case you have to run. Work on your cardio. Always “double-tap” seemingly dead zombies. Always look in the back seat, etc. Echoing Randy’s rules for surviving a horror film as seen in the first Scream, these rules are winking, self-referential, and absolutely true.

Characterization here runs deeper than in most of the genre’s entries. We know backstories. We understand motivations. Even though the characters sometimes seem to come from central casting—the sensitive but competent geek, the snarling tough guy with a secretly soft heart, the love interest who might be a femme fatale—they transcend their stock origins and become living, breathing, wisecracking people you will care about.

Zombieland is more funny than scary, although parts of the film do provide genuinely frightening scenes, especially near the end. This is not a criticism. The often lighthearted tone provides a nice counterpoint to the highly serious, doom-and-gloominess of most zombie films. Plus, Zombieland features an awesome soundtrack: Metallica! The Black Keys!

Fun, often funny, and sometimes gory, Zombieland deserves its place in anyone’s top ten. If you haven’t seen it, prepare to have a lot of fun.

5.         Dawn of the Dead (2004), directed by Zack Snyder.  Dawn of the Dead 2004

We enter the top five with what is, by far, Snyder’s best film to date. Though fanboys and -girls say that Romero’s zombie classic did not need to be remade, I really like this movie. Sure, it lacks the social consciousness of the original. Romero’s Dawn was set in a mall to critique our out-of-control consumer culture, while this film seems to appropriate the setting merely because it’s logically safer than the other options. But you know what? That’s fine with me. I still have the original when I want to think. This movie, by contrast, is an exercise in inertia, in pure kineticism.

The cast doesn’t quite equal Zombieland or World War Z in terms of A-list prestige, but the actors are all game. Ving Rhames plays, well, pretty much every Ving Rhames character you’ve ever seen. Sarah Polley provides a strong performance as our protagonist, and Ty Burrell kills as the absolute polar opposite of his Modern Family character. Throw in Jake Weber as an unlikely hero, Mekhi Phifer as a troubled family man, and excellent character actor Michael Kelly as the meanest mall cop you’ve ever seen.

You like gore? This film’s got it. Watch out for chainsaws, dude. You want fast zombies? There ain’t no shufflin’ goin’ on here. You want zombie mob scenes, gallows humor, strong uses of lighting? Check, check, and check. Plus, the worst newborn since Rosemary’s baby (well, not counting Trainspotting)!

Bottom line: this film isn’t high art, but it’s good. When it starts out with Johnny Cash’s “The Man Comes Around,” you hope the rest of the movie will live up to it. It does. Stick around for the super-bleak ending over the credits.

4.         Night of the Living Dead (1968), directed by George A. Romero.  Night of the Living Dead

Not the one that started it all, but it sure seems like it. The first Romero zombie flick, it came with this tagline, among others: “If it doesn’t scare you, you’re already dead!” There’s some truth to that.

If you’ve never seen the film, well, it pretty much establishes the tropes for every other zombie movie you’ve ever seen. Outbreak of the dead rising and eating the living, with scientists providing, at best, a working theory as to what started it? Yep. A core group of characters thrown together by chance? Got it. Internal strife over how to handle the situation? Check. Our heroes finding themselves trapped and surrounded by the dead? Uh huh. Zombie infestation of the supposedly safe zone? Right. And if you think it took more contemporary texts like Snyder’s movie or The Walking Dead to trot out the zombified children, you’re wrong.

NotLD starts out in a cemetery, with Barbra and her dickish brother Johnny visiting graves. When Barbra feels creeped out, Johnny says, “They’re coming to get you, Barbra!” Little does he know they’re real, and they’re coming to get him, too. When Johnny buys it five minutes into the film, you aren’t sorry, but you’ve got to feel sorry for Judith O’Dea, the actress playing Barbra, because she has to spend the rest of the movie playing either catatonic or whiny. Throw in the bickering couple Harry and Helen Cooper and the more likeable but also more forgettable young couple Tom and Judy, and you may actually find yourself rooting for the zombies.

The main character, Ben, is extraordinary, considering the time period’s attitudes. Played by Duane Jones, Ben is our protagonist, and when the ever-angry Harry Cooper gets out of line, Ben slaps him around until he shuts up. Ben also acts as Barbra’s caretaker, and, when Harry finally goes too far, Ben’s method of dealing with him is both shocking and inevitable.

Why is all this so unusual? Because Ben is the only black member of an otherwise lily-white cast. Many critics, including one of my grad-school colleagues, have written about NotLD as an allegory for American racial attitudes in the Civil Rights era, and the characters’ different generational attitudes toward a strong black man seem to support such readings, as do the searing images of pale-white zombies mobbing Ben throughout the film. The ending’s indelible imagery will disturb you, and this, I think, is part of what Romero intends.

Add in to all the social commentary a lot of good zombie action (Romero, of course, only uses the shuffling kind) and some unintentional humor (see the sheriff’s hysterical line, “Yeah, they’re dead. They’re….all messed up”) and you’ve got a film that has fascinated generations of viewers. Much like most of the movies on this list, you shouldn’t expect stellar acting or writing, but this one transcends its limitations. See it now, if you never have.

3.         Dead Snow (2009), directed by Tommy Wirkola.  Amaray Wrap.EPS

Two words: zombie Nazis. That should be all you need to know about this Norwegian film.

A group of friends takes a vacation to a remote cabin. The one who was planning to ski cross-country through the mountains, alone and at night, never arrives, but soon, a mysterious stranger appears, warning our core group of a local legend about cursed soldiers and missing Nazi treasure. You can imagine what happens next.

Much like Scream, Dead Snow is postmodern in its metatextual references. One of our main characters is a film buff, who immediately recognizes the threat for what it is and warns the others not to get bitten. To say that the plan doesn’t work out very well is an understatement.

Unlike a lot of zombie texts, this one often sets the action in the daylight. In fact, the snowy landscape lends a near-blinding sheen to the gore, so that you see nearly every spatter of blood and almost every flesh wound in detail. As plan after plan fails, as the most competent characters succumb, as you view one of the grossest and most hilarious gags involving a crotch in cinematic history, you’ll laugh and grimace in disgust, sometimes simultaneously. In tone, it’s closer to Cabin in the Woods than Night of the Living Dead; you can decide for yourself if that’s good. Just watch the movie. Like now.

2.         Dawn of the Dead (1978), directed by George A. Romero.  Dawn of the Dead 1978

This one is Romero’s best, and it’s possibly the most loved and respected film in the canon. Starring one of Romero’s trademark cast of stars you’ve never heard of, featuring B-level acting and lines that run the gamut from good to dripping with cheese, utilizing the most absurd and nonsensical use of a blood pressure machine ever, Dawn of the Dead has nevertheless transcended its genre roots.

Like the remake, it’s set in a shopping mall. Unlike the remake, the mall here is infested with zombies, who shuffle by the locked doors of the shops our heroes inhabit. The monsters here look not all that different from your typical suburban consumer, and these images likely resonate now more than ever, given how we all do the “cell phone zombie shuffle,” staring at our handheld screens as we walk into fountains and trip over potted plants. This critique of consumerism foreshadowed the “more is more,” “greed is good” decade to come.

Beyond all the scholarly hooey, though, stands a really good genre movie, one with all the usual trappings plus the addition of a bloodthirsty biker gang that may be more dangerous than the zombies. If Snyder’s film is an exercise in pure forward motion, this one is more contemplative, but as a movie that extends what a zombie movie can be and do, it’s more important.

Dawn of the Dead isn’t as flashy or ironic or bloody as some movies on this list, but you absolutely must see it before you reanimate. And always, always, always pick a good time to check your blood pressure.

1.         Shaun of the Dead (2004), directed by Edgar Wright.  Shaun of the Dead

I may well catch some flak for putting this movie on top of my list. I don’t care. Shaun of the Dead does so many things at once that it may well be the only movie here qualifying for high-art status.

Is the movie a parody of zombie flicks? Yes, but like the best parodies, it completely understands its source material. Wright and his co-writer, star Simon Pegg, referred to the movie as a “rom-zom-com”—a romantic zombie comedy. It’s all that and more. It’s uproarious, often at zombies’ expense, and yet it is at times a gory, genuinely frightening, tension-saturated zombie movie. It’s a romantic comedy; the only thing more important to Shaun (Pegg) than surviving the apocalypse is repairing his relationship with his girlfriend Liz (Kate Ashfield). It is poignant; witness the scenes near the end with Shaun’s mother, his stepdad Phillip (Bill Nighy (!!!)), or his best friend Ed (Nick Frost).

Shaun of the Dead is, in other words, several films in one, all of them excellent. It brought Pegg (most recently seen as Scotty in Star Trek: Into Darkness) and Frost a cult following. It led to further collaborations between the stars and Wright in the underrated Hot Fuzz. (Pegg and Frost would write and star in Greg Mottola’s Paul in 2011, while Wright would direct the energetic Scott Pilgrim vs. the World without his stars. Wright is now at work on Marvel’s Ant-Man movie, of all things.)

If you are among those who have never watched this movie, run—don’t walk—to your computer and Netflix it right now, or buy it and watch it tonight. I highly doubt you will regret it.

So there it is, folks, for better or worse: my top ten zombie films of all time. Feel free to post replies or email me with comments, complaints, or praise. And remember—they’re coming to get you, so there may never be a better time for a movie marathon. Stay up late and scare yourself silly. Live a little before your spouse gnaws your arm off.

 Follow me on Twitter @brettwrites.

Email me at brett@officialbrettriley.com.

 

 

 

 

A Garden Where the Sun Always Shines: Regarding Shauna

In his obtuse, frustrating, beautiful poem “The Hollow Men,” T.S. Eliot writes, “Life is very long.” That idea goes against what most of us have heard—that life is short, that we must make the most of every day, that every passing second leads us that much closer to dying. I’ve always wondered which is true. Does life stretch out and out and out, or does it flash by like a film montage where pages fly from a calendar, floating off-screen and disappearing forever, moving us toward the action that matters, the conflict that advances the story?

 In my forty-second year, I have decided that the answer is both.

Some days, even weeks, of my life creep by on their bellies like snakes that have lain too long in the sun. Time seems interminable—the in-class activity that shuffles along until it ends in a whimper, the grading session that drags on and on and on, the dinner where the waiter pops by every twenty minutes to make sure we haven’t died of thirst while he took his smoke break.

But other times are different. They don’t creep or shuffle or drag. They zip past you like the purse snatcher that steals your valuables without ever breaking stride, so that you don’t even realize what is missing until the thief has turned the corner and disappeared forever.

These moments fly.

The hell of it is that these latter times aren’t bad, at least not all of them, maybe not even most of them. Often, the moments we would love to cherish are the very ones that we cannot hold onto. They disappear in the space of a breath, leaving us gasping in their wake.

I’ve been thinking about all this lately, not because I’m forty-two, which isn’t that old. No, I’ve been pondering the passage of time because my children are growing up. One, in fact, is no longer a child in any sense of the word, and another stands on the cusp of adulthood. My youngest is thirteen. And as they grow up and perhaps have children of their own, I have been thinking, even more than usual, about what kind of father I’ve been. What kind of man I am. What kind of people they’ll be, and how much I influenced their evolution, for better or worse.

Anyone who knows me well would tell you that I have never been good at sharing my feelings. The only-sparsely-revised, not-all-that-carefully-edited nonfiction on this blog represents more confession than I’ve ever made to most of the people I’ve met in my entire life. I am trying to be honest here, because if you are going to write any kind of non-fiction, you have to be honest to the point of brutality, of rawness. The audience will recognize your bullshit. They will crucify you for it. So you try to be true, even when it hurts, even when it angers those closest to you, and you pray that the art (if there is art) in what you say will eventually salve those wounds.

So I come here again, as I usually do, to open up a part of myself that I have never been able to express, except, perhaps, in some oblique fashion through my fiction. I come to speak from the heart, directly and honestly. I come to speak about my kids.

More specifically, I want to talk about my oldest daughter, Shauna. I want to say things about all my kids, of course, but I cannot say everything, even if I wrote nothing else for the rest of my life. And I cannot speak about all of them at once, because the very facts of their being overwhelm me. Thinking about them is like standing on a ship’s deck in the middle of the ocean, nothing but expanse and majesty all the way to the horizon. I have to take them one at a time, one piece at a time, and if I do this occasionally throughout the course of my life, perhaps they will know me better than they would have otherwise. Perhaps they will not be sorry that it was their fate to spring from me and the better parts of myself.

So. One at a time, whenever I can muster the courage and, hopefully, the words. Starting here, with the first about Shauna, others to come in the future, given world enough and time.

But really, what can I say about her that would be sufficient? Saying something in an honest, hopefully new way is part and parcel of the writer’s job, but sometimes language seems insufficient in and of itself; to truly know the thing about which one writes (or reads), one must experience.

We named her Shauna, but we might have named her other things. My first reason for living. My North Star that guided me through the darkest part of my life. My friend. My daughter. String bean, lovely woman.

I would like to start here by telling you that the person she is, the woman she’s grown to be, staggers me. At twenty-four, she is a better person than I have ever been. She has always been better, right from the start. And in being nothing more than herself, she has made me better.

She is a child of divorce—of two parents who became parents too young, who got married too quickly, who bulled their way into adulthood as if some Matador were waving a red flag that attracted them when it should have signaled a warning. I lived with her for the first several years of her life, before her mother and I finally did what we should have done in the first place and got away from each other. After that, every parting was a little tragedy marked by tears and sighs and regrets. Because of the divorce’s timing, I never got to take her to school or pick her up. I seldom got to help her with her homework. I never hosted a sleepover or helped her build a school project. I did not teach her to drive. I did not get to embarrass her in front of her boyfriends. Now that she is grown, with a life and job of her own, I get to see her roughly once a year. In so many ways, our story is about pain and missed opportunities, about how the little aggravations that typical fathers and daughters experience were lost to us. When I think of all that we missed and are still missing, I can barely lift my head.

And yet. And yet . . .

For many years, until she matured enough within herself and in her social relationships to let go of her father’s hand and fly on her own, we maintained a ritual on the night before I had to take her home. As that last day progressed, she would grow quieter and quieter, and nothing I could do or say would draw her out of that silence. Eventually we would go to bed, and I would lie there, dreading morning’s arrival, until I would hear it coming from her room—tiny little sniffles, choked-back sobs, the sounds of someone in pain, of someone who wants to keep that pain to herself. Of someone who did not want to bother anybody.

I would always get up and go to her room, and there, for minutes or hours, we would talk—about why she had to live so far away, about why I couldn’t just get a job where she lived, about why she couldn’t come see me more often, about how she didn’t want to go home. Not, I always hoped, because she did not want to see her mother, but because she knew we would miss each other.

During these conversations, I would never allow myself to weep. It was her time to hurt and my job to salve it in whatever way I could. It was not about me, would never be about me. I had no right to share my tears with her because, knowing her as I did, I knew that she would push aside her own pain and try to stop mine. To weep would have been selfish and egotistical and wrong. Our children should not have to bear our burdens. They should not have to fix us.

One day, though, in the middle of our end-of-visit ritual, I said to Shauna, “I’m really, really sorry you’re so upset.”

She looked at me for a long time, her eyes filled with tears, before she said anything. Then, finally, she asked, “Do you ever get upset?”

This question poleaxed me. I had never considered that my calm-on-the-surface demeanor might have been suggesting that I was perfectly okay with her leaving. That I would go back to bed and fall right to sleep as soon as she let me off the hook for the night. That she might not realize that I lived every single day of my life in fear that I was failing her in ways both fleeting and fundamental. That she might one day wake up to the fact that, in spite of all his efforts, her father was not a good man and might never be one, and that for evidence she need look no further than how I had failed to remain an everyday presence in her life.

Of course, I could no more tell her all that than I could burst into tears and ask her to comfort me. All I could do, all I had the right to do, was pull her close and hug her as hard as I could without cracking her ribs. All I could do was kiss the top of her head and say, “Of course I get upset, every time. But that doesn’t matter. All that matters is you.”

I suppose that if I could say only one thing to her that would sum up her place in my life, it would be the same thing I would also say to my wife and my other two children, and yet it would be just as true for each of them. “All that matters is you.”

I don’t mean that nothing else matters, of course. I cherish my art and glow with pride every time something is published, every time someone tells me something touched them or made them laugh or think or curse my name. I want my work as a writer, a teacher, and a human being to survive me and matter to the world. I want to make the world a better place, not a worse one. I want to give my family the best life I can possibly give them, and if I can’t give them what I want, then I want to be able to say, honestly, that I tried hard to do it. These things matter more than I can say.

But these things are tied inextricably to my love for and duty toward my family. It is a Gordian knot that I have no interest in untying. In this case, being bound is the greatest kind of freedom. And before I knew Kalene, before Brendan and Maya existed, Shauna taught me that. She was my first graduate program in being a better man.

I cannot possibly tell you about everything we did and what it all meant and what it all taught me. But I can tell you some things.

 * * *

 I remember when her mother announced to me that we were likely going to be parents. It was the summer before our senior year in high school. We had broken up, as we often did, and this time, I was determined to make it stick. Even then, the relationship was turning me into someone I didn’t recognize and didn’t like, and I had finally had enough. I was out, and I was determined to stay out. I had taken back my class ring, that great high school symbol of commitment, and wore it myself for the first time since buying it. I had even gone out on a date with an ex-girlfriend with whom I still had a connection, and I felt pretty sure we were going to get back together and live a long, happy life together.

Then Shauna’s mother-to-be showed up at my house and knocked on the door to my room. I opened it, saw her standing there, scowled. I had nothing to say to her and felt no interest in hearing what she had to say.

“I’m late,” she said.

“Here,” I said, giving her my class ring back.

We were married a few weeks later, and we spent every day together until the moment when I left, heartsick and wrecked and wondering if I were doing the right thing.

I don’t regret marrying her. We were miserable and at each other’s throats day and night and poor and stupid, but at times, we were also happy and in love and rich in ways that most of our classmates would take years to discover. Mainly, I don’t regret it because it gave me years with Shauna that I would not have had otherwise—feeding her, changing her diapers, watching the same videos a million times until the VHS tapes broke. It was all as glorious as a sunrise over the sea.

 * * *

I remember the trip home from a high school football game—Malvern? Pine Bluff?—where we had gone to watch my former teammates play. I had loved the games and hated the practices, so it was no great loss for me or the team when I had to go to work and miss playing in my senior year. Still, whenever we were both off on Friday, Christie and I would go to the games, where I would cheer on my friends and part of me would wonder what might have been.

I was driving through the dark, the road unspooling in front of me, Christie in the passenger seat and asleep for all I knew. I was thinking about what I might have done on that long pass that just missed the receiver’s outstretched hands; in my head, I would have caught it, though in my heart, I knew I probably would not have been fast enough either. I was watching the road and daydreaming and listening to some hard-rock song on our car stereo when Christie reached over, turned down the volume, and said, “I just felt the baby kick.”

Something turned over in the deep pit of me. Some creature that had been sleeping in the darkness and dreaming in its own primordial way. It woke up and whimpered and crawled away from the crack of light that had suddenly appeared.

Never taking my eyes from the road, I reached my right hand over and Christie took it, placed it low on her stomach, pressed it harder than I would have advised. The car had grown silent; it seemed that even the regular thrum of the tires, the whistle of the wind as it blew past us, faded, until all that I could hear was my own heartbeat.

Then I felt it—a tiny, almost imperceptible tap against my palm. Like placing your hand on a taut tent wall and feeling someone brush against the other side. Just a millisecond, just once, but undeniable, and very, very real.

And light flooded my eyes. It wasn’t until that creature in the deep pit of me screamed and vanished that I realized it was my own ignorance, my own sense that, even though we had gotten married and had begun compiling cribs and plastic bottles and onesies, we could not possibly be parents. I had known Shauna was real, but I had not believed it on some vital level until I felt that tap, the touch of a person who was not yet a person but who one day might be anybody.

Five miles or so down the road, I felt my face hurt and realized that I had been smiling for a long time. And for perhaps the first time in my young life, I was truly happy. Terrified and incompetent and ignorant, yes, but happy.

 * * *

I remember her birth, the moment she was pushed out into the world, screaming and purple and covered in goo.

“Why is she purple?” I asked, alarmed.

 “She’s cold,” said the doctor. “Where she’s been, it’s nearly 99 degrees.”

“Want to see me weigh her?” asked a nurse. I walked over to the scale with her. She eased Shauna onto it and waited for the readout. The numbers appeared; the nurse looked at me. “Nine pounds, thirteen ounces? Is that right?”

“How the hell should I know? It’s your scale.”

By this time, the doctor was pulling out the afterbirth while Christie grimaced and grunted. When he got it out, it looked like something you might see on the side of the road in the deep South, a creature that dozens of tires had squished beyond all recognition. I mentioned that I had once seen something like it on Nightmare on Elm Street. Nobody laughed.

A few minutes later, still clad in the disposable gown they had pinned on me, I walked into the waiting room and presented Shauna to her grandparents. She was wrapped in a blanket and looking about curiously, acclimating herself to her new world. Everyone ooohed and aaaaahed and grinned and slapped me on the back and passed her around like they were playing Hot Potato.

Later that night, as Christie slept in her hospital bed and Shauna dozed in her bassinet beside me, I took in the silence, the sheer peacefulness of that room compared to the chaos of the birth, and wondered, not for the first time, if I were remotely qualified to be in charge of this little person who would look to me for everything.

 * * *

I remember one night, a few months later when I had been at home alone with Shauna. It was time to pick up Christie from work, so I loaded Shauna into the carrier-thing that also doubled as a car seat. I strapped it down and got in the car and backed out of the driveway. About halfway to Andy’s Restaurant, where Christie was working at the time, I held the steering wheel with my left hand and stretched my right hand into the back seat. I touched Shauna’s tiny little bird hand and she jerked it away.

“Huh,” I said. Against all reason, it hurt my feelings. I wondered if it meant something, knowing in my head that it was probably a reflex or evidence that she had not yet learned to control her body, any of which would have been perfectly natural. But in my heart, a voice whispered, She knows about you. She knows you are not a good person. She wants nothing to do with you, which just proves how smart she is.

All of this happened in perhaps two seconds. And then, before I could pull my hand back and grasp the steering wheel and start feeling really sorry for myself, that tiny bird hand settled on mine and wrapped itself around my index finger. And in that moment, like the Grinch’s, my heart grew two sizes.

I drove all the way to Andy’s like that, my right arm cranked painfully backward and twisted and stretched. I smiled through the pain and the numbness and kept on driving, and Shauna did not let go.

 * * *

I remember watching the same videos hundreds of times, everything from Disney classics to Scruffy to stop-motion California Raisin shows. I had them all memorized. So did Shauna. She never just sat in front of the television for hours at a time, and we never used the television as a de facto babysitter. But when she wanted to watch, she would sit there attentively while those same dogs did and said the same things they had always done and said. It never seemed to get old.

I can no longer quote those movies and shows verbatim. I don’t even really remember the plot. But just hearing the word “scruffy” sends my mind down those same roads, and I wind up back in that mobile home, sitting on that couch and watching Shauna watch TV. In times like those, that trailer was a sanctuary, a garden where the sun always shined and things grew in rich black soil.

 * * *

But like most places, there was nothing intrinsically good or bad about our first home. Its nature depended on the people in it and what they did for, or to, each other. I also remember the fights, the screaming matches that often devolved into physical confrontations.

Just as when Christie and I were dating, our marriage was a study in extremes. We were giddy and joyous and thrilled at life’s possibilities. We were hateful and violent and heartsick. I loved her desperately and wanted her to love me back, but she never did, at least not like I loved her. At times, she seemed to value me; at times, she would speak and act with nothing but contempt, as if I were a bug that she wouldn’t bother scraping off her shoe. I never knew which Christie I was going to get, and I didn’t understand the one that seemed to hate me, and so, once I learned to lash out, I let that part of me take over when I felt hurt or threatened or useless or stupid, which was most of the time.

When our arguments became physical, they threatened to rip that trailer in half. We were like a storm that blew in out of a cloudless sky, tearing sturdy buildings off their foundations and scattering trash for miles around.

Every time this happened with Shauna in the house, she would do something unexpected while we were raging about her. She might fold the basket full of clean laundry that we hadn’t gotten around to yet. She might pick up the clutter in her room. She might grab a rag and dust. Whenever I would see her trying to impose order on the chaos surrounding her, my heart would break, and I would try to stop the argument, shut down the swirling negative emotions filling the house like acrid smoke. Sometimes it even worked. But it never fixed the underlying problems.

One day, in the middle of a huge fight in our kitchen/dining area, I happened to look down. Shauna was hiding under the table, knees drawn up to her chest, arms wrapped around her legs. She was crying and rocking back and forth. And in that moment, something broke inside me. What spilled from that break were pain and guilt and the sudden, dawning realization that my marriage would never last. I knew that Christie and I were too different, in our goals and our worldviews and our values. I knew that as long as we lived together, the fights would never stop, and that every single day would bring about the possibility that Shauna would wind up under that table, sobbing and wishing that her Mom and Dad would just love each other.

I stayed a couple more months and tried to fix things, but eventually, I did what I had always known I would have to do. I packed my things and moved out. I initiated divorce proceedings that would drag on for several months as we all wept and wailed and fought and tried to patch it all back together and eventually moved on.

It was perhaps the hardest thing I’ve ever done, leaving that trailer and the woman I still loved and the daughter I adored. I was afraid and depressed and so very, very angry, none of which would change over the next two years of my life. I was entering the darkest period I have ever been through, but I had to do it. I could no longer abide the sight of that sweet girl hiding under a table, the knowledge that I bore half the responsibility for putting her there. I was changing things in the only way left to me. But every night, for months and months and months, my heart would break all over again, and I hated the world for letting things come to this. I hated it, but even more, I hated myself.

What happens when she finds out that you are not a good man?

 * * *

I remember when Christie’s mother informed me that Christie was getting remarried and moving to Pine Bluff. Until that time, I had seen Shauna whenever I wanted, which meant any time that I was not in class or at work or trying desperately to get some sleep. Now, the original custody agreement would be enforced—visitation every other weekend and alternate holidays.

The prospect of not seeing my daughter daily finished shattering what was left of my heart. In fact, it nearly killed me.

I got this news with only a couple days’ notice. I was supposed to work that night. I had an American Novel test the next day. I knew that I would not keep either commitment. Not when my world had just been turned upside down again.

I picked up Shauna and brought her to my parents’ house. I found her something to do. Then I went back to my parents’ room, closed the door, and grabbed their phone. I called my workplace and got an assistant manager.

“This is Brett. I’m supposed to work tonight, but I….I…” And then I burst into tears.

I couldn’t stop. The pain and confusion poured out of me in deep, throaty sobs. The manager listened quietly, and when I finally calmed down a bit, he said, “What is it?”

“It’s my daughter,” I whimpered. “She’s moving away, and I…”

“Don’t worry about coming in,” he said. “Take care of yourself. Take care of her. Let us know when you can come back.”

This small act of generosity—of taking me at my word, of putting my obvious breakdown ahead of whatever inconvenience the store might feel at my absence—nearly sent me into hysterics again. But I managed to swallow it. I thanked him and hung up.

Now for the test. I tried to look up my professor’s phone number, but it wasn’t listed. So I checked the number of another professor, one I had taken classes with several times. She was friends with the American Novel professor. I was in good standing with both of them; I was honored to know that they considered me one of their best students. I was hoping that Professor #2 would give me Professor #1’s number.

I dialed Professor #2 and waited as it rang. I took deep, slow breaths, determined to calm myself this time, to handle things better. I didn’t want to look like a fool, and I wanted to make the best case possible for myself.

“Hello?” said Professor #2.

“Hi,” I said. “It’s Brett Riley. I’m sorry to bother you at home, but I….”

That was as far as I made it before it all ripped out of me again. I burst into sobs that were just as deep, just as uncontrollable, just as wrenching as those that came before. It took me at least a couple of minutes to calm down.

“What’s wrong?” said Professor #2, and I was grateful for the concern that I could hear in her voice.

“It’s my daughter,” I said. “My ex-wife is moving away, and I’ve only got two days, but see, I’ve got this test in Professor #1’s class….”

“Don’t worry about it,” said Professor #2. “I’ll talk to Professor #1. She’ll let you make up the test.”

I thanked her about a hundred times and hung up, feeling a bit better because at least I could spend those two days with Shauna without worrying about all the other things in my life. Not until I became a teacher myself did I really understand what Professor #s 1 and 2 did for me. It wasn’t just being generous enough to give a make-up exam to a student with a real-life problem. It was how they worked together. Professor #2 had made a promise about how Professor #1 would handle a situation in class. Professor #1 lived up to that promise, even though she hadn’t made it herself and would have had every right to be angry with me and Professor #2. I have worked with several professors—little martinets who run their fiefdoms with iron fists, regardless of circumstance—who would not have been so generous. Who might have failed me for seeking aid from a colleague. Who would have resented the colleague for speaking out of turn. But somehow, Professor #2 had conveyed the depth and sincerity of my sorrow. Professor #1 honored both me and her friend. To both of them, I have ever been grateful.

When I came out of that bedroom, I had dried my eyes and blown my nose. I would not cry in front of Shauna until she was in her 20s. But when she asked me if I ever got upset when she had to leave, I thought back to those first departings, the ones that knocked my world off its axis and left me a blubbering mess in front of my co-workers and my teachers, and I think, “Yes. From the very beginning of all this. But that was not your cross to bear. It was always mine, and mine alone.”

 * * *

I remember leaving work once a week and driving an hour and a half to Pine Bluff. I would pick Shauna up from her new apartment and take her somewhere—a restaurant, a movie, a mall, some combination—just to get some extra time. I would have to drive back home, crash for a few hours, and get up early the next day for work or school.

One mid-week visit found us at the mall’s arcade, playing all those carnival games that spit out tickets based on your score. We managed to cobble together enough tickets to purchase the kinds of crummy prizes those places stock, garbled and hastily-constructed bits of plastic and rubber that would either survive a tactical nuclear strike or break within two days.

After she picked out the prizes she wanted, we had a few tickets left over, just enough to get a plastic Sheriff’s badge, gold-ish and hard as a rock, a clip-on job. You could barely read the writing on the front. It was the very definition of a throwaway toy. It was not, strictly speaking, a toy at all. It was tacky decoration, the kind of thing only a little kid would be drawn to.

I remember wondering why Shauna wanted it, what appeal it possibly could have held. She took it and clipped it to her shirt, where it hung like a dead man from a tree, weighty and shifting with every movement, threatening to drag the neck of her shirt halfway down her torso.

Nothing about her outfit or bearing connoted “Sheriff.” She was not dressed in western garb. She was obviously not wearing a county sheriff’s uniform. She might as well have been wearing a football helmet or a pair of boxing gloves.

There was something about the incongruity of the badge—her wanting it, her wearing it unselfconsciously—that struck me as such a little kid thing to do that I found myself misty-eyed, a lump in my throat. It was the sweetest thing I had seen in months.

I still think about that day, that badge, her wearing it while holding the rest of the loot we had won. It still chokes me up. Meaningless to anyone else, probably forgotten by her. Yet it has stayed with me in ways that other, seemingly more memorable events have not.

From little moments like this, we piece together our lives. 

I remember how once, when I was taking her home from a weekend visit, Shauna asked me to stay the night. “You can stay at our house,” she said. “I bet Mom won’t mind.”

“Yes, she would,” I said. “She would definitely mind.”

I left that night after another bout of tears. Our visits during those years were always punctuated by Shauna’s tears and my sleeplessness, my nightmares. I don’t care what Shakespeare said. When it comes to your kids, there’s nothing sweet about the sorrow of parting. Nothing sweet at all.

 * * *

I remember moving to Baton Rouge, Louisiana, to begin my doctoral program. I had to do it. I am a writer, but I am also an educator, and you cannot work in the college/university system without a terminal degree, not if you value decent pay and the possibility of job security and benefits. I had to go, for myself and for my family. And so the every-other-weekend-and-alternate-holiday visits became six-weeks-in-the-summer-and-alternate-holidays-and-sometimes-spring-break visits. Even less time than before.

Thus, the end-of-visit anguish intensified, for both of us. We had great times during the visit. It always seemed like we had never been apart. We still knew each other as well as ever; we still loved each other just as fiercely.

But the time. Always the time, and never enough of it.

The night before her leaving was always like a little funeral, not for us or our relationship but for every missed day, missed conversation, missed opportunity to share our lives.

We have survived so many little deaths.

 * * *

I remember living in Baton Rouge and hearing her ask tearfully if we could at least arrange it so that we could see each other more.

“Six weeks just isn’t very long,” she said.

“Yes,” I said. “As soon as I can save up the money for the court costs and get things settled enough to impress a judge. We can absolutely do that.”

“Okay,” she said.

It never happened. By the time I saved that money and settled my life, everything had changed. Now she had friends, boys, a social life, activities—the things that every healthy, well-adjusted kid has, the things that no decent person can begrudge them.

“Six weeks is an awfully long time,” she said when she told me that she wanted to cut those six weeks down to two. The two would eventually become none, and then she was grown, and working, and dating seriously.

Time flies, and all your good intentions fly with it. When it all goes, you are left with empty rooms, the silence that always descends in the wake of loss. People call it Empty Nest Syndrome, and it is no less painful when that nest has only been occupied part-time. It is natural and good; it is progression, evolution, maturation. It is the very essence of the word “bittersweet.”

What happens when she finds out that you are not a good man?

 * * *

I remember Shauna’s high-school graduation. I watched her walk across that stage and take her diploma, and I felt as proud as any parent ever does. I felt relief, because she had not only survived all the mines that her mother and I had dug for her; she had thrived. She was moving on to an adult life full of possibility. She could be or do anything. And whatever she might do, I no longer had a say in it. More bitterness, more sweetness—that moment when your child moves past you into a world truly their own. Visitation dependent not only on desire and convenience but also work schedules and vacations.

Graduation is beautiful and agonizing and scary and part of the natural order. It is like the moment when the baby birds finally jump out of the nest, exhilarated and flapping their wings as hard as they can, hoping to catch the right updraft before they splatter on the ground. Meanwhile, the older birds sit in that nest, suddenly alone, time stretching before them all the way to the horizon. They want to scoop up those children and usher them safely back to the fold, knowing all the time that they cannot, must not. That they would not be allowed.

 * * *

I remember Shauna’s surprise visit on my birthday. I had not seen her in a year. I walked into Kalene’s office one Friday afternoon, tired and grumpy and ready to go home. Shauna was sitting in a chair, smiling.

I was thunderstruck. I said the only thing I could think of: “Holy shit!”

It was one of the best presents I’ve ever gotten. I remember once, when she was a little girl, she drew a picture for me and presented it to me on my birthday. I can’t even remember what it was. All I know is that it was hand-drawn and colored and said, “To Daddy.”

“It’s all I have to give,” she said.

“It’s all I want,” I replied, hugging her. “I can’t imagine getting anything better.”

What do you do for someone who has so often given you all she has to give? When you have so often failed to give her what she asked for, what she needed? How do you sleep at night? What do you dream about? What happens when she finds out that you are not a good man?

I suppose that the only answer is that you try again. That, even when you can barely stand to look at your own reflection, you stand up and walk. You write her on Facebook. You text her. You invite her to your new home and let her know that she always has a place there, that she never has to ask. You remind her that if she needs something and it is within your power to give it, you will, for this is your duty and your privilege.

And when you screw it all up, you pray that she has one more ounce of forgiveness in her heart.

Do I ever get upset? Oh, yes. God, yes.

But I don’t dwell on those things. I dwell on the blessings I’ve been given—to know her, to be whatever kind of father I’ve been, to spend time with her, to influence her in ways that are, hopefully, more positive than negative. I look at the woman she’s become and hope that her goodness is partially because of me, not just in spite of me. I thank God for her presence in my life—a presence that saved me in very tangible ways.

And then I move onto the next task that will take me through the next minute, and the next hour, and the next day, until she gets off the plane and everything is like it should be again, for just a little while.

 Follow me on Twitter @brettwrites.

Email me at semioticconundrums@gmail.com

 

 

Puppy Love #creativenonfiction

Puppy Love

            Recently on Facebook and Twitter, I stated that those who say they wouldn’t change a thing about their pasts are either lying or overly stubborn. I caught some flack for that claim. One of my friends misunderstood; he argued that he wouldn’t change a thing along the way because he’s happy with the destination. Another said that, because she constantly critiques herself, she wouldn’t change much. As for the latter, I can only envy my friend’s comfort with most of her decisions and actions. I constantly self-critique, too, but in retrospect, I still find that I’ve erred much of the time. In terms of the former, my statement wasn’t about changing who I am today. It’s about wishing that my present self could go back and say to the younger me, “Even though you think you know what you’re doing, you are about to make a mistake. Don’t be dumb/selfish/mean/insensitive.”

            Many of those past actions involve wronging others. And while I could—and, eventually, will—write about my struggles with relationships and family, today I am thinking of my failures to take care of an old friend. His name was Tank. He was a dog. He loved me, as dogs love people, unconditionally and with his whole being. And, as is often the case with people and their “love” for animals, I cared about him when it was convenient and ignored him when it wasn’t. Now, when I try to sleep at night, I often see his face—dark fur with brown patches, a white chest as if he were wearing a cummerbund, eyes so radiant they could melt a glacier. He always looked so happy, until the day he got sick and I abandoned him.

            I still remember the day I brought him home. It was during my first marriage, when things were always volatile. I was nineteen years old, with a wife and daughter. I was a student at Louisiana Tech University and was majoring in engineering, which I hated. But I had come out of high school with dollar signs in my eyes, and since I had taken all the college-prep math and science classes my high school offered, I felt well-prepared. I didn’t particularly enjoy the work in those courses, but I believed that I could work a job I didn’t like if it meant that I could make enough money to do whatever I wanted otherwise. And since even in 1989-90 we could tell that computers would soon rule the world, I declared a computer engineering major.

            I hated my classes. Hated them. My favorite things to do were reading and writing, and there I was, taking Calculus II and Chemistry and Introduction to Computer Programming. As I sat there taking notes on arcane formulas and weights of gases and ways to make a “DO WHILE” loop or whatever it was called, I saw my future stretching out before me, endless days of sitting in front of a screen and writing code so that other people could use computers to do the kinds of things that I really wanted to do. But I have never been a quitter, and my parents were proud of me and my scholarships, and my wife and her family constantly expressed money concerns in ways that told me changing my major to, say, English would lead to full-scale civil war. And so I trudged on, miserable and bitter, angry at myself for declaring a major that I didn’t want and at them for pressuring me to stick with it.

            My strategy—if you can call unconscious decisions a strategy—was to self-sabotage. I stopped going to classes I didn’t like and never got around to dropping them. I skipped tests to go home for a weekend. I went to see Aerosmith and Joan Jett the night before a Trigonometry final, which I showed up to twenty minutes late and left before anyone else. When the university put me on a one-semester academic suspension, I packed up my family and moved back to southeast Arkansas, where I enrolled in the University of Arkansas at Monticello without declaring a major. After drifting for a semester or two, I finally pulled the trigger and declared. I was an English major. I have never looked back.

            But in between realizing that I hated engineering and finally making the right decision, I went through several varieties of hell. And since my family life caused a lot of the tension, I wanted something else to love, something that, like my beautiful daughter, would not judge me or pressure me to live a life I didn’t want. I thought a pet might strengthen the already-firm bonds between me and my daughter. So I decided to get a dog.

            A lady I knew from work was giving some away. They weren’t any special breed, but I knew when I got mine that he would be fairly big—not Great Dane or Saint Bernard big, but not poodle or Pomeranian territory, either. I chose him because he was gorgeous and gregarious, and because he had a great name already—Tank. It conjured images of unstoppable canine energy, powerful runs through tall grass. I brought him home in the back seat of my car. He was good.

            Of course, Tank would later royally piss off my wife, who wanted no dogs bigger than her mother’s Boston Terriers. As he grew, he barked gruffly at inopportune moments and refused to be housetrained even to the extent of scratching on the door. Thus we would awake to find the newspapers we had left out still as spotless and crisp as the day they were printed, while a steaming pile of poop sat on the floor right next to them. He pissed on the tile floor of our mobile home’s kitchen and soaked the carpet more than once. I was constantly cleaning up after him, and none of the old tricks I had learned worked at all. And so I became hyper-aware of any noise in the night—light scratching, the staccato clicks of toenails on tile, whining. And I would rise up out of my deep sleep, already shouting, “Tank, NO!” as I bolted down the short hallway.

            More often than not, I was too late or found it was all a false alarm. Tank kept me on my toes that way.

            I couldn’t leave him outside; we lived in a trailer park that did not allow loose pets, and we had no money or permission to build a fence. I had no desire to chain him to a tree or a doghouse just for my own convenience; I was at least that selfless. And so I would sleep a few hours at a time, these restful periods broken up by anxiety and stress and nasty work that I had little patience for.

            Oh, I still loved the dog. During the day, we’d go outside and I would let him run around in the thirty yards or so between our trailer and the next one. He would chase insects and frolic and play fetch with whatever ball I could find. I’d run with him, trying not to trip over him or step into a hole. I’d tackle him and ruffle his fur and scratch his belly, and he would chase me and rear up on his hind legs, his forepaws on my stomach. Sometimes I’d take those paws and walk with him, fashioning an awkward dance.

            Yes, our life together waxed and waned between frustration and boy-and-his-dog joy. Until, that is, we moved back to Arkansas.

            Our new life brought all kinds of changes. We lived next to my in-laws, who had multiple dogs and two or three cats. Our trailer sat at an intersection between a road leading to a highway and a gravel road that wound through the more rural portions of town—the dangers of traffic and big trucks in one direction, the song of small patches of woods in the other.

            I now had to commute around an hour and a half every day. I was taking a full undergraduate load and working a part-time job that actually drifted toward full-time hours, though the pay was rotten in those days of three-dollar-and-thirty-five-cent-an-hour minimum wage. I had homework and old friends to see and relatives to visit, as well as a wife and daughter that needed and deserved my time and love. And as all this coalesced, my nineteen-to-twenty-year-old self made some good decisions and some bad ones.

            Good: I took care of my school, work, and family responsibilities. I made time to hang with my friends, to throw parties, to read for pleasure and play video games every chance I could.

            Bad: I had less and less time for Tank. And because I was so busy, I was able to rationalize it. “He’s got a lot of other animals to play with,” I said, letting him out more often and hoping that he would not find his way to the highway, where he would almost certainly be flattened. “It’s not like I’m being lazy,” I said, and that much was true. “It’s not like I don’t care about him anymore. There’s just so much to do.”

            Easy words. In many cases, justified. But empty and hollow and insufficient nonetheless.

            Because eventually, Tank got sick. One day I came home and he did not greet me with bounds of joy. He looked my way and dragged himself over to the car as I got out, his head hanging as if he were ashamed of his poor efforts. He moved like a dog four times his age. It struck me as odd. I asked everyone about him, but no one had paid him much attention. So I sat with him awhile, scratching behind his ears and telling him what a good boy he was. I talked with him as if he could understand (which, for all I know, he could) and might reply at any time. I told him about my day. But as evening descended and the temperature dropped, I patted him on the head and said, “See you later, buddy.”

            By this time, Tank was a full-time outdoors dog. His refusal to take to house training, along with my in-laws’ always-open and comparatively warm laundry room, led my wife to insist on it. I was too tired and distracted to fight about it, and besides, in southeast Arkansas dogs with worse places to sleep led full and happy lives.

            Around this time, my school workload increased, and my employer wanted me on duty more often than not, as the cold months had descended, bringing with them the approaching holidays. And so for several days in a row I came home at odd hours—3 pm or six or eleven—exhausted and hungry and ready to fall into bed.

            I didn’t see Tank. And, to my everlasting shame, I didn’t even think about him.

            Finally one day my wife was waiting for me. She looked both upset and angry. “Tank’s sick,” she said. “He’s in the laundry room.”

            “Shit,” I said, more annoyed than concerned. The weight of the day settled on me; I felt it in my lower back, my shoulders, my aching head. I dropped my things on the living room floor and crossed over to my in-laws’. I pushed open the door of the laundry room.

            Tank lay there on his side, breathing shallowly. When he craned his neck to look at me, his movements were stiff and labored, as if the very motion pained him. It probably did. His eyes were dull and weeping; his fur looked matted. And yet, as I came in the room, his tail beat a weak tattoo on the concrete floor. I thought I heard him make a low sound in his throat. It might have been an abortive bark, or a whine, or nothing at all.

            I sat down with him and took his head in my lap. I stroked his fur and spoke softly to him and promised him that he was still my dog, even though I had failed him lately. I told him that he would be all right, that whatever had taken hold of him would let go. That he would stand up again, and frolic and leap and bark and wake the neighbors and dig in the hard fall dirt. I apologized for being gone so much, for not realizing how he felt.

            And yet I couldn’t think of what I could do for him. I was an undergraduate, meaning I had no income at the college. We had already spent the overage from my financial aid that semester. I doubted that any of my relatives would have lent me money to take Tank to the vet, and all of my friends were either off at college somewhere or broker than I was. And I could not stay out there with him much longer. I was starving and tired, and I had to go do it all again the next day.

            So after a while, I lowered his head back down to the concrete and promised him that I would be back as soon as I could.

            I never saw him again.

            The next few days were even busier than before. When I came home, I was in no mood to take care of anybody besides my daughter. I would do what she required, and then I would sit on the couch and vegetate or go to bed or slog through some homework. I thought about Tank, and I asked about him; apparently his condition had not changed one way or the other. I took this as a positive sign—no news is good news, right?—and went on with my day.

            Then one day I came home and was told that Tank was gone.

            “What do you mean, gone?” I asked. “Did he die? I thought he was stable.”

            At this point, my wife revealed that her brother had gotten tired of watching Tank suffer on the laundry room floor. He had loaded Tank into a truck and carried him out into the woods, where he laid him down on the ground and shot him. It was a mercy killing; my brother-in-law had no malice toward Tank. He was doing the only thing he knew to do, which was put Tank out of his misery, because I, Tank’s owner and friend, had done nothing.

            When I heard this news, I felt as if someone had stabbed me with a coring knife and hollowed me out. Into that emptiness spilled conflicting feelings that threatened to crack the foundation of my self-image. I was furious with my brother-in-law for killing my dog. I was grateful to him for doing something to help Tank. I was sad that Tank was gone; I was happy that he wasn’t in pain anymore; I was relieved, damn me, that I would not have to take the time to go into that room and comfort him. Yes, I actually felt relief for myself.

            What kind of person was I?

            Tank had done what very few people have ever done for me. He accepted me and loved me and gave me his loyalty without question or condition. He loved me when I played with him, and he loved me when I ignored him. He greeted me every day as if he hadn’t seen me in years, during a time when my own wife seemed to wish I would disappear forever. He lay on that cold concrete and fought against whatever was ripping him apart and looked at me. He tried to wag his tail.

            And what had I done? Had I gone to every friend and relative I had until I had found enough money to take him to the veterinarian? Had I begged a vet to work out a payment plan with me so that my friend, for whom I was responsible, could live a longer and happier life? Had I sold something precious of mine to finance his treatment? God help me, did I take him out and shoot him myself if I could not be bothered to do anything else?

            No. I let him lie there in his sickness and rot from the inside. Because I was busy. Because I wanted some time for myself. In truth, because I was lazy and selfish.

            As I have gotten older, I have come to believe that how a person treats animals says a lot about how much they value life itself—the Earth, the people in their lives, people in general. If Kalene’s diet allowed it, I really think I would try to become a vegetarian because I simply cannot abide how animals are treated in the food industry, how each animal’s life must be as important to it as mine is to me. I believe that animals have souls, emotions, desires, maybe even dreams and goals. And I want to do as little as possible to hurt them, my meals notwithstanding.

            But in those days, no matter my intentions, I was not a good person. I mistreated that dog, even if I did so for what seemed like good reasons and mostly by omission, rather than commission. I was responsible for his life, his health, his happiness. I failed him in every way possible, even in my own heart.

            But I didn’t emerge unscathed. I have never stopped thinking about Tank, or the other pets I had before him. And every single thing I’ve done for my pets since then has been influenced by his presence in my life. It’s why I gladly put off getting things I want or going on trips when my cat needs medical attention. It’s why I advocate for animal rights, why I speak out against things like puppy farms and kill shelters. It’s why, even when I take a bite of steak, I remember that it was once a part of a living, breathing creature that did not want to die and that had done nothing to me.

            Tank taught me one of the most important lessons I’ve ever learned, one I’ve tried to pass onto my children. Animals aren’t interchangeable tokens we move around at our leisure. They are important, soulful beings with whom we share this planet, this life. If I ever see him again—and I believe that I will—then I plan to tell him that. And I will run with him, talk with him, pet him, and throw that ball to him for as long as he wants.

Follow me on Twitter @brettwrites.

Email me at semioticconundrums@gmail.com.

NEVERMIND as Cultural Bomb

If You Ask Me

Nirvana’s Nevermind as Cultural Bomb

            I suppose every generation has at least one do-you-remember-where-you-were-when-it-happened event. Some are Earth-, or at least nation-, shattering: the storming of the Bastille, the assassination of the Archduke Ferdinand, the first shots over the walls of Fort Sumter, the Nazi invasion of Poland, Pearl Harbor, the launching of Sputnik, the moon landing, Watergate, the World Trade Center attacks, Hurricane Katrina, the tsunamis in Indonesia and Japan.

            Some are moments when world leaders die unexpectedly, changing our lives in less cataclysmic but still important ways—Abraham Lincoln, John F. Kennedy, Dr. Martin Luther King, Jr., Malcolm X, Princess Diana.

            Still others mark a change or absence in the art and culture that we experience every day. Take the realm of music for an example and you could pick several names from the last forty years: Hendrix, Morrison, Joplin, Lennon, Presley, Wallace, Shakur, Jackson. And if you made such a list, you would be remiss if you failed to include Kurt Cobain.

            Other people have written about Cobain. I don’t suppose my story is much different than theirs.  It might go something like this.

            “And lo, the 1980s came to pass, and in this time the land lay enshrouded in the shadow of a dark and evil force, an entity that ensured the unequal distribution of power and wealth and a return to the personal politics of a bygone era, and that force was named Reaganomics.

            “And the popular music of this era would uncritically reflect the thirst for material goods and economic excess for its own sake. The artists of the day would often symbolize the conspicuous consumption that prevailed throughout the land. And in the fullness of time this music would be called Hair Metal.

            “And many Hair metal bands would garnish their stages with enormous set pieces, models, blow-up figures, and laser lights, and they would dress in tight leather and spandex and multiple bandanas and thick make-up and whole cases of hairspray, and in their lyrics they would register their desire for never-ending parties and limitless sex and the unfettered flow of drugs and alcohol.

            “When these bands first appeared, they heralded the expansion of music into new and interesting directions, and their charming fin-de-siecle attitudes super-charged the youth of the land. But as the wealthy hoarded more and more of the land’s resources and the poor became more desperate and those in the middle disappeared, the land’s taste for Hair Metal transmogrified into a yearning for something new—something angrier than New Wave and more accessible than Punk.

            “And in the latter part of the decade, those who yearned discovered bands such as the Melvins, and later, the Pixies, Sonic Youth, Mother Love Bone, and Dinosaur Jr. And new bands formed under the influences of these forbears, and their names included Nirvana, Alice in Chains, Soundgarden, and Pearl Jam. With regular rotation on MTV, these bands grew in popularity and mainstream acceptance. And perhaps their success is best epitomized in Nirvana’s second studio album, the 1991 release Nevermind.”

            I’ve got much love for 80s Hair Metal and the other bands mentioned above. But when Nirvana released Nevermind, few people were probably aware that the band had actually detonated a cultural bomb, one that would change the musical landscape and the youth of America. Nevermind is nothing short of a watershed moment in musical history, and now that we are twenty years past its release (!!!), I feel that I must consider it and its place in my life.

            Nirvana formed in 1987, and in 1989, when I graduated high school and saw the birth of my daughter Shauna, they released their first album Bleach on the famous grunge label Sub Pop.  I was aware of this album and liked it quite a lot. As many critics pointed out, Nirvana’s sound emulated the Pixies’ in many ways, especially the LOUD-quiet-LOUD structure of their songs. For influences, you could certainly do much worse, right? And I remember really liking songs like “About a Girl,” the simplified growl of “School” (“Wouldn’t you believe it? / Just my luck. / No recess!”), the metal-like anger of “Blew,” the speed-metal-ish “Negative Creep.”

            But with Nevermind, I went from being aware of Nirvana to being obsessed with them. The album sounded like a mélange of many things I’d heard before, but at the same time, it sounded completely new. It was angry in a way that you could only find in the punkiest punk or the speediest metal; it was sardonic; it was sincere and heart-wrenching; it was critical. I listened to each song and felt myself falling deeper and deeper in love with the album.

            “Smells Like Teen Spirit,” the song for which they are probably most famous, is the borderline-incoherent scream of a new generation. Songs like “In Bloom” and “Come as You Are” demonstrate Nirvana’s range—the one hard and heavy, the other like something The Police could have recorded. “Breed” could be a punk song. “Lithium” and “Drain You” rock like metal, though neither shares the typical subject matter of the most prominent hair bands. “Polly” is, quite frankly, one of the creepiest songs I’ve ever heard. And the dirge-like “Something in the Way” is simply, completely different than anything else on the album. The repeated lyrics are both haunting and mystifying: “Underneath the bridge / My tarp has sprung a leak / And the animals I’ve trapped / Have all become my pets / And I’m living off of grass / And the drippings from my ceiling / It’s okay to eat fish / ‘Cause they don’t have any feelings / Something in the way, mmm…”

            As a band, Nirvana also looked different. We had already moved from bands like the Beatles, who first came to us in button-down shirts and ties, to long-haired, leather-clad, hirsute rockers to the 80s-era spandex and make-up. Nirvana, by contrast, looked as if they had just fallen out of bed at a college dorm. They wore faded jeans and t-shirts and cardigan sweaters. On stage, they leaped around as if they had just come from the mosh pit themselves, or else they stood still; they had no elaborate set pieces or enormous scaffolding that spanned the arenas or massive fireworks displays. If they tended to destroy their instruments a la the Who and countless other bands before them, they could not always be counted on to do so safely or in a way that seemed practiced; witness bassist Krist Novoselic throwing his bass into the air, only to have it land on his own head.

            In their televised performances they seemed to exude a barely-controlled anger perhaps restrained only by a distaste for excess. They could rip your spine out with their crunching chords or soothe your aching eardrums with an almost-melodic detour into a song like “Something….” Their music seemed to have been made by people who knew what had happened to America in the 80s—the false siren call of “family values” that marginalized alternative family paradigms and modes of being; the “prosperity” that stopped at the very top and trickled down to the rest of us not at all, in spite of the political rhetoric at the time; the belief in American exceptionalism that still hamstrings us today. Nirvana’s music seemed to rise up from the middle-class-to-poor spirit that had been trampled on. Starting off as a marginal voice from a marginal movement, it took center stage with Nevermind and reminded us that music could be more than what it had become.

            I will always love my Hair Metal bands, both the fun ones like Poison (yep, I’m not ashamed of that) and the more serious ones like Dio. But I can honestly say that Nirvana reminded me of what rock music could be, beginning with Nevermind. Kurt Cobain’s death was every bit as important and traumatic to me as John Lennon’s. Cobain might not have reached Lennon’s level as a songwriter, but as a voice crying out in the wilderness of our lives, Cobain has no superior.

            In this, the twentieth year since that watershed moment, I salute Nevermind all over again, and its three creators, whose collaboration was, like Cobain himself, gone too soon.

Follow me on Twitter @brettwrites.

Email me at semioticconundrums@gmail.com.

 

 

Bodily Changes and Other Minor Tragedies

Has Anybody Seen My Teeth?

5

Bodily Changes and Other Minor Tragedies

            If you’re a fan of pretty much any professional sport outside of golf or bowling, you’ve probably heard announcers lamenting the increasing age and declining skills of once-great athletes. Recently I read an article about a Dallas Cowboys’ cornerback, referred to in this instance as “the aging Terrance Newman.”  According to Newman’s Wikipedia entry, he was born on September 4th, 1978. That means that in roughly three weeks from the time of this writing, he will turn 33 years old.

            Randy Couture and Dan Henderson are considered exceptional specimens in the world of Mixed Martial Arts, not just because they have won multiple championships in multiple weight classes but also because they both competed at high levels into their 40s. Couture finally retired in 2011 after losing to former Light Heavyweight Champion Lyoto Machida via front kick to the face (think Daniel-san’s crane kick in the original Karate Kid, a move heretofore thought to be purely fictional). Couture is in his late 40s. Henderson, the current Strikeforce Light Heavyweight Champion who is likely headed back to the UFC, is around 41.

            Sticking with the MMA world, for a moment, we should consider the case of Rashad Evans. Until his recent TKO of Tito Ortiz, Evans had been out of action for 14 months. Most people thought he would struggle with so-called “ring rust,” the condition stemming from long layoffs. Train all you want, the philosophy goes, but if you aren’t actually competing, you don’t know how your body or your mind will respond in the heat of battle. Dana White, the bombastic UFC president, said of Evans, “He’s 31. He’s not 26.” You’d think that Evans had turned gray and wrinkly overnight, that he used a walker or a wheelchair, that he might knock over the glass containing his dentures on the way to his fifth bathroom trip of the night.

            The conventional wisdom in the NFL is that running backs decline sharply after their 30th birthdays. Gymnasts and swimmers enjoy an even shorter shelf life.

            All of this has always seemed patently ageist to me. But at the same time, it seems to be true. For every Randy Couture or Brett Favre, there are thousands of athletes who never play past their mid-30s, when their “advanced” age and allegedly declining skills make them unappealing at best, completely disposable at worst.

            Yet, for all of my grousing about the ageist trend in athletics, I also can’t exactly argue with its logic. I am currently 40 years old and no longer an athlete. And even I suffer from aches and pains that my 20-year-old self—hell, even the 35-year-old version of me—did not believe in and had never experienced.

            I often tell my students that I have the perfect evidence of life’s unfairness, and it is this: at 40 years old, I get both gray hairs and pimples.

            Oh, I’m no silver fox, at least not yet. But every day I find more gray hair—in my beard, at my temples, even on parts of my body that had always been covered with downy dark hair. Everything seems to be bleaching out, slowly but inexorably. Yet as I look at those stray gray hairs, I often find new zits in my hairline, on my head, even on my face, as if I were still a teenager readying for a date. It’s just not fair. If you have gray hair, you should be too old for pimples, and if you must regularly use Clearasil, you should be too young for gray hair.

            My goatee is probably the most startling evidence of my hair’s transformation from young person’s to that of someone who might reasonably expect a recruiting letter from the AARP. Once it reflected all the aspects of my heritage. Mostly the hairs were dark, almost black, though in some cases they looked blonde or red. My beard epitomized America: democratic, diverse. Walt Whitman would have been proud of it. Now, though, it consists mostly of two colors: dark brown and gray, with the gray quickly gaining prominence. If I still have it at 50, it will probably look like I just stepped out of an arctic blizzard.

            Athletes’ faces undergo similar transformations. It happened to Brett Favre. About the same time that gray began to appear on Favre’s hair and on his chin, his face got a little more wrinkled every year, and for every interception he threw, more and more people questioned how much longer he could compete. Never mind that he kept taking teams deep into the playoffs and breaking records; because he had passed some tipping-point age, he would forever after be suspect.

            Of course, part of the reasoning was that he felt the hits more than he used to, that it took him longer to recuperate. And again, here is where I cannot argue with the logic of the age factor.

            Before I reached my mid-30s, I had undergone surgery on a diseased appendix. I had had perhaps four cavities. I could engage in pretty much whatever physical activity I wanted and move reasonably well the next day. But around my 36th year, I suddenly started feeling pain in places where I didn’t know I had places.

            I had to have my wisdom teeth removed. Though they had come in years before, they had never really bothered me. Suddenly they made my jaws ache. I had two very minor procedures to remove a surface-level basal-cell carcinoma from my chest. I discovered that I had Irritable Bowel Syndrome, though not the highly embarrassing kind that plagued poor J.K. Simmons in The Ladykillers; it bothers me just enough to make travel uncomfortable. My ear, nose, and throat doctor discovered that I needed a septoplasty and a turbinate reduction. After that procedure, I could breathe normally for the first time in my life, which is when I began to snore. A trip to the neurologist and a couple of sleep studies revealed that I had mild-to-moderate sleep apnea.

            None of these conditions were serious or life-threatening. But they piled up in a relatively short time, and after a life of good health. They were particularly disturbing in light of my family medical history, which includes cancers of various kinds, heart disease, diabetes, and high blood pressure. One of these days I expect a Riley newborn to skip all the preliminaries and just spontaneously combust.

            I’ve taken precautions against these and pretty much every other major issue that my doctors and I can think of. But there’s only so much you can do to prevent health problems as you get older. It’s not really fair. Most of us go from never having to think about our health, or exercise, or what we eat and drink, to worrying about all of it all the time. It’s like being in a car that goes from zero to near-death in five years.

            Then there are the aches and pains that accompany getting older. Right now, my right shoulder inexplicably hurts at the joint, especially when I raise the arm above chest level, and most especially when I have to raise it and lift something, or even remove a tight pull-over shirt. I’m not sure if the problem lies in the bone or the muscles or the ligaments and tendons, but something’s wrong, and time—plus lots of exercise or the lack thereof—hasn’t helped. My neck is stiff most of the time and pops painfully when I turn it too far to the right. And now even my jaw hurts a little on one side. Where do these problems come from? What did I do to cause them, if anything? It’s all a mystery, and the only way to solve it is to go to the doctor yet again, to undergo even more tests, and/or to take even more medication.

            Speaking of which—I currently take a pill that lowers my cholesterol. I take another that helps my stomach and my poor sleep patterns. A third helps regulate my triglycerides. And I also take over-the-counter medication for joint pain. I fondly remember the days when all I needed was a Tylenol or a BC powder.

            When I look at how my body has changed regardless of circumstances, I believe that it’s a miracle that athletes last as long as they do. If I had to spend every day getting punched in the face or body-checked into the boards or feeling my ribs crunch under a linebacker’s shoulder pads, I’m not sure that I could get out of bed at all. And I’ve been pretty active most of my life.

            What must aging be like for those who were never in shape? Or those whose lifelong medical conditions have prohibited them from even trying to exercise? In this day of medical miracles, why can’t we all live long lives free of pain and discomfort and, yes, the gray hair-pimple combination?

            Still, I’ll take aging over the alternative every day. I’d rather be gray-haired and above-ground than a young-looking corpse.

Follow me on Twitter @brettwrites.

Email me at semioticconundrums@gmail.com.

Whose Hands Are These? #nonfiction #writing

Has Anybody Seen My Teeth?

4

“Whose Hands Are These?”

            A few months back, Kalene and I were watching an episode of Strange Addictions. The subject of that week’s program was a young woman addicted to tanning. She went to several different tanning beds every day, divvying up her visits to avoid the safety limitations that each individual salon imposed. Then she would go home and lay out by the pool, her only sunblock a bottle of baby oil. This woman didn’t have a tan; she fairly glowed orange, rating about an eight on the John Boehner-Hulk Hogan scale. You could have used her for a nightlight.

            At one point in the show, she visited a dermatologist, who, of course, told her that she had been playing Russian Roulette with her life, given the increasing prevalence of skin cancer. He also took one of her hands and pointed out all the wrinkles, the spots, the dryness. The woman called them “old people hands,” though of course the presence of that condition did not deter her. When she found that she had no major skin issues at that point in her life, she took it for a sign that she was making sound decisions and that she could rub the results in her concerned friends’ and family’s noses.

            The fact that she would probably look like a piece of beef jerky by the time she was thirty-five apparently did nothing to persuade her, and neither did the fact that, you know, she might develop major health problems in the future. I suppose that most smokers in their late teens to early twenties probably don’t have emphysema yet, but that doesn’t mean they’re making healthy decisions.

            You just can’t tell some people anything.

            For me, though, that image of her hands stuck out the most. They were as deep brown/orange as the rest of her; fittingly enough, her nails looked like five alabaster tombstones sticking out of rich newly-dug earth. Deep wrinkles covered her finger joints. You could see the beginnings the splotches people call liver spots or age spots. And she herself used that phrase “old people hands.” Of course, I looked down at my own hands at that moment, and I found that, while my skin tone remains at the polar opposite of orange, the rest of the symptoms presented just fine. The wrinkles at the joints. The increasingly-large freckles. The out-and-out splotches that I had heretofore only noticed on retirees.

            I had old people hands.

            None of this has to do with my own current tanning habits, which rate somewhere just above Dracula’s. I don’t burst into flame on contact with sunlight, but it’s pretty close. My pale skin reddens after less than half an hour of sunlight, even after I use SPF 85. It turns boiled-lobster red if I stay out longer than that. I have been known to stay out for a few hours with insufficient sunblock and spend the next days in agony, my blistered skin feeling as if a million needles were being jabbed into it ceaselessly, my shoulders and upper back covered in water blisters. Most of that happened when I was a kid, before anyone knew the potential effects of sunburns, and only three or four times at that.

            But even now, against Kalene’s advice and the recommendation of dermatologists everywhere, I don’t moisturize every day, and I don’t wear sunblock on my way to work or the grocery store. I haven’t refused to do so out of some entitled sense of my own immortality or sheer stubbornness. I just don’t remember. And as a result, my currently forty-year-old hands look forty years old.

            But it’s not just my hands. My face has changed, too. I now know the definition of “crow’s feet,” a fact that dismays me more than I can explain. I have a deep wrinkle across the bridge of my nose right between my eyes and another one a half-inch or so down, evidence of how much time I apparently spend scowling and angry. Even when I open my eyes as wide as I can and shove the skin back with my fingers, I can still see the depths of those wrinkles. I’m afraid that by the time I’m eighty I’ll look like a bulldog—a very pale, almost translucent bulldog.

            See, here’s the thing: I couldn’t tan even if I wanted to. I learned that the hard way when I was younger. I never really cared what anybody else thought of me, but for some reason, I wanted a tan, probably so that I could wear shorts in the summer without having to fight every self-styled wit with a pocketful of “fish-belly” jokes. So I would lay out in the back yard, at the public pool, down at the river when my friends and I drove out for a day of swimming. I fondly remember the look on my father’s face when he came home for lunch one summer day, looked out his back patio door, and saw nothing but a ladder and a few pairs of dangling legs. My friends and I had decided to sunbathe on the roof. And once, I ruined a perfectly good fishing trip with my father as I struggled to maneuver around in the boat so that I could “tan” equally on both sides.

            Oh, I used sunblock—SPF 2.75 or something like that. But as early as my mid-teens, I learned that the pain of even a mild sunburn did not seem worth the pathetic results I achieved. I never tanned; I just got a bit less white. If the Twilight films had existed back then, they could have plucked me off the street and sent me out as Vampire Henchman #4 without any makeup.

            These days, I don’t even care. When I go to the beach or the pool, I spray or slather on the sunblock until I am encased in a solid layer on which bugs lose their lives. Throw a Frisbee at me and it just might stick fast. I have read too much and experienced too much of the scary effects of tanning, only one of which is the premature aging of your skin.

            Nevertheless, whenever I look in the mirror, I can still see aging’s effects in every wrinkle, every freckle that has morphed into something the size of a penny, every liver spot that has had the temerity to show up so far before its time. And though I am perfectly comfortable with aging gracefully—no plans for any plastic surgery for me—I just don’t understand why someone so young would take so many chances with their appearance, their health, their very life now that we know everything we know.

            I mean, if I could say one thing to that woman on Strange Addictions, I guess it would be this: if my hands look their age, you’ve got to remember that I grew up in the seventies and eighties, when nobody really knew about the dangers of second-hand smoke, or ultraviolet radiation, or letting your kids climb all over the inside of a moving vehicle, or eating deep-fried everything.

            What’s your excuse?

Follow me on Twitter @brettwrites.

Email me at semioticconundrums@gmail.com.          

On Feline Philosophy #writing #nonfiction

Has Anybody Seen My Teeth?

3

On Feline Philosophy

                Sometimes I wonder what it’s really like to be a cat. Then I remember that, as I get older, I probably already know. They spend most of their day sleeping and far too much of the night roaming about, breaking into cabinets with the efficiency of a safe-cracker and pouncing on unsuspecting dreamers and eating too much. I can relate.

                Not long ago, I woke up late. I mean really late, nearly one o’clock in the afternoon. True, I had had a rough night; I was up till nearly five. I had worked and played until two am, and then I tossed and turned for another two and a half hours or so, trying desperately to get comfortable on my aching muscles and sometimes-creaky bones, to breathe through my nose that constantly clogs every time I lie down, to stop thinking about the things I didn’t get done and all the things I’d need to do the next day.

                I knew that I would wake up late, and that no matter what I did or how hard I tried, I would remain groggy all day, out of sorts, my already screwed-up biological clock thrown even farther out of true. And sure enough, it all happened just like I imagined. Up at 1 pm, eating lunch at 5, eating supper at 11, back to bed at a time when most people have already sunk deeply into their REM sleep, dreaming weird dreams and drooling onto their pillows.

                I have, over the past couple of years, trained myself to take one or two short naps during the day, partly because I need to make up for the sleep I didn’t get at night and partly because I just can’t go without sleep like I used to. I started experiencing sleep problems when I was a teenager. I would go to bed around 10 pm, but for whatever reason—a surplus of young-person energy? Budding anxiety disorder? Lewd sexual fantasies?—my mind would race as soon as I turned off the lights. Soon enough, I learned that I could solve this problem to a certain extent if I left my radio on all night; then I would concentrate on the music, the lyrics, the mix of genres and styles, and eventually I would drift off, still not right away but earlier than I would have otherwise.

                Of course, then my dreams would often take on an even more surreal quality. Once I dreamed that I was walking through my neighborhood, which had somehow been turned into an Asian market. People thronged everywhere, their eyes on the road or the market wares, their shoulders bumping against me as I made my way through them, looking for someone whose name I could not remember. And through it all, David Bowie’s “China Girl” blasted from unseen speakers. The sacred cow he mentions kept wandering through people’s yards and taking enormous shits on driveways. I woke up in the middle of the dream and heard the same song on the radio.

                So my sleep schedule has always been weird. And that weirdness has become more and more of a problem as I’ve gotten older. Once, I could stay up for days and still perform at high levels. Now I can go for about four hours before I at least wish I could take a short nap.

                I first discovered that age plays havoc with your ability to cope with sleep deprivation not long after my daughter Maya was born. I was still married to her mother then. My then-wife was breastfeeding Maya, which had never presented a problem; but we never considered what might happen if that food supply was suddenly eliminated.

                My ex had decided to have her tubes tied after her second pregnancy, which was fine with me. We weren’t getting along at all by then, and I already had three children, so I was pretty tired. The procedure was supposed to take place in the morning, and, we were told, she would get to come home that afternoon. So before we took her to the hospital, she didn’t stockpile any milk for Maya. I saw the unused breast pump lying on a shelf in our closet and shivered, as if I had glimpsed through a crack in the universe a very specific kind of hell. Then I forgot about it and took her to the O.R.

                During the allegedly routine procedure, the surgeon found a cyst on one of her ovaries, and it alarmed him enough that he went ahead and removed it. When a physician risks a lawsuit by performing a procedure without familial authorization, you know he must have been concerned. This extra procedure obviously increased the surgery time, but it also necessitated a longer hospital stay, as did the doctors’ feelings that further tests would be necessary. To avoid infection, they gave her more, and different, antibiotics, plus more pain meds than they had originally planned, all of which would have been secreted through her breast milk.

                And so a few hours’ stay turned into a multiple-day ordeal. The hospital kept her for further tests and observations. Meanwhile, I was stuck at home with a hungry baby and no breast milk. I had no choice but to give Maya formula, but she hated it. When some of that stuff dribbled into her mouth, you’d have thought that I had given her a lemon rind and alum sandwich. She screwed up her face and screamed at me, as if to say, “You asshole! Are you trying to kill me?” She also responded badly to the artificial nipples and the different feeding position she had to assume. She would barely eat, and because she was so hungry, she cried. Loudly. Interminably. I cannot imagine that victims of the Spanish Inquisition cried louder than she did. I think they heard her on the space shuttle.

                I tried everything. I even tried leaning down next to her ear and making a heartbeat sound, which fooled her for about two minutes. But she simply would not take the formula from a bottle. I tried giving it to her with an eye-dropper; she spit it back out. I tried powdered formula and canned formula and every other kind I could find; she would have none of it. And because she was crying constantly, she barely slept, which meant that I didn’t sleep either.

                Eventually I reached my wits’ end. I asked Kalene—my third and final wife who was, at the time, a very good friend of ours—to come over and watch Maya so I could get a couple of hours’ sleep; she obliged, but that two hours did me little good. The world began to take on that too-bright quality, where the light looks weird and voices sound muffled and life takes on the characteristics of a Dali painting. You start saying things in a deep, slow voice just to see how weird you sound: “HEEEEEEEEElllllllOOOOOOOoooo, nurse!” Yet when I went back to the hospital, they wanted to keep my ex even longer.

                “Doc,” I said, “please understand that I want you to do everything you need to do. Make sure she’s safe and healthy. But if what you’re planning is in any way extraneous, let me tell you this. I’ve been up for days. I’m on the verge of having a psychotic episode. My daughter needs breast milk, and she can’t get any if you keep pumping drugs into my wife. What I’m saying is that if these tests aren’t really necessary, then I urge you, for the sake of three people, don’t run them.”

                They ran the tests but did not give her any extra drugs, noting that they were being as cautious as possible but that she would almost certainly be fine without the extra antibiotics. We went home, and she was fine, and my daughter ate, and I slept for about six months.

                I can no longer stay up for days at a time, for necessity or fun. I can still go a day or two on little sleep if I have to, but it isn’t easy or pleasant anymore. Yet my sleep schedule remains as screwed up as it has ever been, and short of getting one of those machines that re-align your Circadian rhythms, which my doctor has actually recommended, I don’t know how to fix it. I can’t just go to bed earlier; I toss and turn, unable to get comfortable or stop thinking about things. I can go to bed at 9 pm and still won’t fall asleep until at least 2 am, regardless of circumstances. So I might as well just stay up.

                Having lived with cats for the past ten years, I’ve noticed how much I have in common with them. The way they live their lives mirrors, in many ways, how I live mine.

                What are cats interested in? What do they do? Well, they eat, and sleep, and excrete bodily wastes. They occasionally snuggle up to you in search of affection, and when they’ve had enough, they leave, regardless of your feelings. If you leave human food where they can reach it, they will often sneak snacks that they shouldn’t have, so you have to remain vigilant around them. And when they feel like it, they want to play, no matter what you’d rather be doing. Some, like our cat Cookie, will even punish you if you don’t comply.

                I think about more than these things, of course. I don’t reduce my existence to basic functions like eating, drinking, and pooping, and if you don’t agree to have fun with me exactly when I want, I probably won’t attack the printer or paw at the flat-screen TV or knock something off a shelf. But in many ways, I have, as I’ve aged, come to resemble our cats, in philosophy if not appearance.

                For instance, I tend to nap at odd hours. I can usually sleep anywhere from twenty minutes to two hours pretty much whenever the sun is out. I can lie down on the couch, my head resting on Kalene’s lap, and fall asleep fairly quickly. I can stretch out on our bed and crash as long as sunlight peeks in through the blinds. I can’t curl up in an office chair like a cat, nor can I use my own arms and legs for pillows. But naps have become an important part of my daily existence. They leave me feeling refreshed most of the time and give me the energy I need to make it through the rest of the day.

                I know what you’re thinking. “If you’d just stop taking naps, you could get to sleep at night earlier.” But that doesn’t work. Naps are a comparatively recent part of my routine, but I’ve always had trouble sleeping at night, even when I’m exhausted.

                Another way my older self mirrors our cats is that I eat too much and don’t work it off as easily as I used to. When I was younger, I had the willpower to avoid unnecessary snacking. I would eat something until I no longer felt hungry, and then I would stop. Yet, ironically, my metabolism fired so quickly that I didn’t really need any willpower. I could shovel in heaps of whatever I wanted to eat and remain thin and wiry.

                Now, my willpower has faded. If somebody hands me a cheesecake, I want to eat as much as I possibly can. If I force myself to stop at one piece, I soon find myself standing at the open refrigerator, looking longingly at the fruit and yogurt and ice cream and snack veggies piled in there. Sure, most of that stuff is healthy, but all of it contains calories. Moreover, I have become increasingly attracted to the kinds of snacks I have always been able to take or leave—Little Debbie snack cakes with enough fat and caloric content to serve as half my day’s allowance, sodium-heavy trifles like potato chips, peanut butter sandwiches as snacks instead of lunches. And as my willpower has faded, my weight has steadily climbed north. When I was in high school, I weighed perhaps 130 pounds. When I was thirty, it was more like 160. Now, at forty, I am nearly 200 pounds. Sure, I eat a little more than I used to and have a harder time turning down sweets, but the main reason for the weight gain is that my metabolism has simply slowed down. I noticed in my early 30s that my stomach was starting to protrude more than it used to; now I sometimes think I look like I’m six months pregnant. True, I don’t have a lot of body fat; I can pinch perhaps an inch on my waist. But my body has changed in ways that I don’t like and that I can seemingly do nothing about.

                Our cats have gone through a similar change. When Judas—our beloved companion of nearly two decades, who died a year and a half ago—was still alive, she pigged out quite often. As a result, her belly hung down until it dangled perhaps an inch and a half off the floor, and when she ran, it flopped from side to side, striking her in the middle of her ribs like a scourge. Similarly, Cookie has gained weight since she realized that she’s a cat, not a dog or a human. In her former household, she lived with a lively little dog and an energetic little girl. She was always on the go. Here, our youngest visitor is Maya, who’s going on twelve years old now, and we have no other pets. We play with Cookie as much as possible and run her half to death with her favorite feather toy, Da Bird ™, but she now chills out more than she used to. She takes more naps, stops at her food bowl more often, and generally acts like a cat with nothing particularly important on her mind. And as a result, she’s a fraction heavier than she used to be. I get the feeling that when her own metabolism slows down in her old age, she’ll be quite the little butterball. Sometimes I feel the same way—not that being a bit overweight is so bad, but that a change that I didn’t authorize has occurred and that I’m helpless to change it.

                What other ways has my daily life come to resemble my cats’? Well, I’m grumpier than I used to be. I’ve never been one of those people who constantly need to be surrounded by others. But I find that, more and more, I’d just as soon stay home as go to that party, that football game, that concert. Someone asked me not too long ago why I don’t take advantage of my university connections (whatever they might be) and attend more college football games. I said, “Why would I want to go out in the weather and battle close to a hundred thousand drunks for the pleasure of seeing the part of game that happens close to my seats, when I could just stay home and eat my own food, use my own bathroom, and see the whole thing on TV?” And often, when I go out to eat or to a movie, I have to sit on my hands to keep from punching somebody in the face. When did people get so damn annoying?

                Cats tend to hang out with people only when they want to, regardless of what the people themselves want. Cats rub on your legs or jump in your lap and demand affection, and when they’ve gotten what they wanted, they tend to wander off by themselves. We used to find Judas sleeping behind curtains, in the closets, in our office chairs. Cookie likes the office chairs too, but also digs the tops of the refrigerator and kitchen cabinets or sunny windowsills.

                Cookie will stop doing pretty much anything if she suddenly realizes that she needs a bath. I’ve seen her dash madly after a toy, freeze in her tracks, and stick one hind leg straight up in the air so that she can clean her asshole. Apparently some itches just have to be scratched. As for me, I’ve gotten less tolerant of being sweaty. I’ve got to shower every day, even if I don’t go anywhere or do anything in particular. On the other hand, Judas’s hair got duller as she got older and lost interest in grooming herself. Mine now feels oily and greasy if I don’t wash it every twelve hours or so.

                When you have more in common with your cats than you do with most people, you might be in trouble. As I’ve gotten older, I’ve become more insular, impatient, and easily annoyed. I’ve seen my hair start to turn gray and my belly swell out like I was malnourished. I get sore every time I work out or play some sport for more than five minutes. I rail at life’s little injustices—what kind of world is it when you can have both gray hair and pimples? Shouldn’t having the one preclude the other??—with less motivation and more passion. I spend a lot of time by myself or with only Kalene and my kids; I’d just as soon wait for a movie to come out on DVD/Blu-Ray instead of listen to somebody’s brat caterwaul over the opening credits or watch that idiot two rows down answer the cell phone he was supposed to have turned off twenty minutes ago. Where once I lost myself in the Dionysian pleasures of rock concerts, I now spend half the time wishing that guy would stop stepping on my foot or that that stupid woman would get off her boyfriend’s shoulders so the rest of us could frickin’ see.

                In short, I would, nine times out of ten, find more pleasure in curling up in the warm sunlight for an afternoon nap than in losing myself in a human biomass accompanied by loud music or pretty pictures on a screen.

                At least I don’t take my dumps in a box or lick myself, right?  But then, I’m only forty. I wonder what eighty will bring.

Follow me on Twitter @brettwrites.

Email me at semioticconundrums@gmail.com.

 

“I Don’t Like Old Movies”–nonfiction #writing #nonfiction

Has Anybody Seen My Teeth?

2

“I Don’t Like Old Movies”

            When you’re a teacher, sometimes nothing makes you feel older than your students.

            Take the average college freshman. He or she is likely eighteen years old, the official age of adulthood as recognized by the United States military, legal system, voting booths, and so forth. When you reach that age, you assume all the rights, privileges, and responsibilities of adulthood—except, as my students would likely point out, in the eyes of parents who continue to treat them like kids and the local bars who won’t sell them a beer, even though they can fight in a war and be tried as an adult in a court of law.

            Of course, many of these “adults” want all the privileges without any of the responsibilities, but putting that point aside, I face classrooms full of grown-ups every day, even at the lower levels of university education.

            The problem? Given that it’s 2011 as of this writing, these students might have been born as late as 1993. How, in the name of all that’s holy, could that be possible?

            In 1993, I was twenty-three years old. Even with a false start that put me behind by a year, I was only a couple of semesters away from earning my Bachelor’s degree. My daughter Shauna would turn four that year; my son Brendan would not be born for another two years, and Maya, bless her heart, would take another six. Kurt Cobain was still alive, and Seattle grunge ruled the music business. Some hair metal stalwarts kept on plugging, but those with rock-star fantasies had traded in their eyeliner and spandex for flannel shirts, dirty jeans, and cardigan sweaters.

            These days, you can turn on certain classic rock radio stations and hear bands like Nirvana, Soundgarden, and Pearl Jam. And when that happens, I always feel like someone has just stomped on the world’s brakes, the globe’s squealing tires nearly drowning out my cries of indignation. I mean, come on—the early 90s now qualify as “classic rock”? What acne-sprouting, voice-changing, wet-dream-having pubescent punk made that rule?

            Me, I beg to differ. Kids—and if you’re under twenty-five, somebody still thinks you’re a kid, no matter how unfair it is or how loudly you protest—just because something’s older than you doesn’t mean it’s actually old. And even if it is old, it might not be bad.

            Perhaps the disparity between what eighteen-year-olds think “old” means and what’s actually old becomes clearest in terms of their attitudes toward cinema. Plenty of exceptions exist, of course, but in general, people my students’ age seem to demonstrate a lot more patience with CGI-heavy trifles like Van Helsing and the Transformers franchise. And they seem much more willing to eschew minor considerations like a coherent plot, characterization and character development, editing, and understandable cinematography. If it blows up or flies into outer space and looks really pretty, younger folks seem to like it. Me, I want to know how the explosion fits into the story and how it deepens the plot or the character development. If it doesn’t do either, I don’t care what it looks like.

            Beyond the special effects, though, many of my students seem to judge a film’s merit based solely on when it was released.

            Not long ago, I was discussing the film Titanic in class when I realized that most of the students present that day were two or three years old during its theatrical run. Just a few years ago, Titanic was a cultural touchstone, a special effects triumph, a heart-breaking romance loved by people of all ages. Now, many of my students view it as quaint, a dismissible chick flick, a model of how things were done back in the old days. But at least they haven’t started calling it old…yet.

            The Breakfast Club has not enjoyed such a kind fate. A couple of years back, I referenced it, likely to make some point about how it both perpetuates and critiques high school’s clique culture. Much like Glee, it utilizes stereotypes and archetypes of high school existence, sometimes for important cultural commentary, sometimes in ways that seem dangerous. But no one got my point; when I finished making it, I looked out into a sea of blank, bored faces, and realization dawned.

            “None of you know what movie I’m talking about, do you?” I asked.

            “Isn’t that the old movie about those kids in Saturday detention?” one student responded. He was the only one who even tried to join the conversation that had, unbeknownst to me, become a monologue.

            “Old movie?” I said. “It came out in 1985!”

            “Yeah,” somebody said. “Way before we were born.”

            Wow, I thought. 1985 has somehow become ancient history, right up there with the Spanish Inquisition and the birth of Christ and the discovery of fire. If you watch 2001: A Space Odyssey closely, you might see John Hughes cavorting about the monolith with the rest of the knuckle-draggers. I suppose I’m probably there, too, but I’ve shaved since then.

            I had long since gotten used to students’ rejection of movies made before they were born, but I admit that their attitudes about The Breakfast Club surprised me. It is, after all, a film about high school—the triumphs, the pain, the stupidity of some teachers and administrators, the way that parents just don’t understand. Having just come from high school, freshmen should have been able to relate. But because the movie came out way before they were born, they didn’t care. They weren’t even curious. So on that day, I learned that anytime I make a cultural reference, from any period, I have to explain it. I can’t assume they know anything about it, or that they want to.

            I can also tell you that, if you grew up in the 1970s and found yourself afraid even to take a bath because of Jaws, don’t share that with kids today. They’ll laugh at you, as if the idea of a film’s having enough power to affect your real life is just plain silly. That’s a dumb movie, they say, because it’s old. That shark looks fake. It doesn’t compare to what a CGI tech could do. Never mind the courage and artistry it took to build a fake shark and dump it off the shore of Martha’s Vineyard. Never mind the deep emotional impact that the film had on a whole generation, the way that it basically invented the summer event movie, the cultural nerve it touched in terms of how we see sharks (hey, kids, what do you think we should thank for Shark Week?). That shark just doesn’t look right. It’s old, man. Watch Deep Blue Sea instead. Now that’s a classic.

            I don’t know about you, but I remember when imagination trumped special effects every time—when the effects served to jumpstart your imagination, not replace it. By and large, though, my students don’t seem to get it. And so they dismiss Bruce the shark, and Ray Harryhausen’s stop-motion genius, and the way that Charlie Chaplin somehow staged a cabin falling over a cliff. Sure, the cabin looks like a model, but we get the idea, right? And how did he manage to make that little figure jump out of the cabin right before it falls?

            And, of course, Chaplin invokes the black and white era of filmmaking, from silent pictures up to the ubiquity of early color prints. Ask most of my students and any black and white film can be ignored; it’s simply too old to care about.

            Such an attitude leads to a minor American tragedy, as a generation misses out on the great art and cool entertainment that came before. Instead, they have to discover it all later in life, even as hundreds of other films come out every year, leaving them only so much time to catch up. What will they miss because they think “older than me” equals “too old to matter”?

            Of course, sometimes students just get it, like the recent freshman who admitted that Jaws ruined her beach vacation, or the one who ruefully confessed that Psycho scared her silly, so much so that she couldn’t finish watching it alone. On days like that, I smile a little wider and contemplate introducing them to Apocalypse Now, or Nashville, or Manhattan, or Scenes from a Marriage, or The Umbrellas of Cherbourg, or Night of the Hunter, or Bride of Frankenstein, or Citizen Kane, or Casablanca, or City Lights, or even Sixteen Candles. You know, one of those ancient, dusty movies that suck, that have nothing to do with today’s youth, that speak to no one but ancient, dusty people like teachers and parents who were never, ever kids themselves and can’t possibly understand why Transformers 3 represents American cinematic art at its finest.

            On days like that, I dare to hope, and I feel a little younger, in spite of having been born before 1993.

            Follow me on Twitter @brettwrites.

            Email me at semioticconundrums@gmail.com.

 

“They Grow up so Fast”–#nonfiction

Has Anybody Seen My Teeth?

1

“They Grow up so Fast”

            Sometimes, nothing makes you feel older than your own kids.

            One day, you’re watching them come into the world. The next, they’re studying for their driver’s exam or asking your advice on mutual funds.

            When my oldest daughter Shauna was born, I was eighteen years old. That same year, the Berlin wall came down, but not before George Herbert Walker Bush’s inauguration as the United States’ 41st president. Stamps cost twenty-five cents. The San Francisco 49ers won the Super Bowl; the Oakland A’s won the World Series. Amy Tan’s The Joy Luck Club was published. Rain Man won the Best Picture Oscar; luminaries such as Lucille Ball, Robert Penn Warren, Salvador Dali, and Laurence Olivier died. And sitting at the top of the music charts? Bobby McFerrin’s “Don’t Worry Be Happy” and George Michael’s Faith.

            In the time since, we’ve already experienced a second Bush’s (so-called) presidency. Stamps have more than doubled in price; don’t even get me started on gasoline. To my children and most of my current students, a divided Germany seems like ancient history, right up there with the Crusades and the invention of the wheel. The San Francisco 49ers can’t even win a division that, in 2010, sent its champion into the playoffs with a losing record. The A’s? Aren’t they that team that keeps dumping its talent for cheaper versions of same? Or am I thinking of the Florida Marlins, who didn’t even exist in ’89? And who the hell are Laurence Olivier and Robert Penn Warren? Meanwhile, both “Don’t Worry Be Happy” and George Michael have become cultural jokes, even though Faith is a damn good album.

            Oddly enough, my son was born in 1995, a year in which San Francisco won another Super Bowl, this time over the San Diego Chargers, whose coach cost me twelve hundred dollars in our local pool by going for two at the end of the third quarter. But that seems like the only holdover from 1989.  The times, they were a-changin’, as Bob Dylan said (I can hear next year’s freshmen saying “Who?” already).

            Brendan came into a world that seemed less certain and more violent than the one we had lived in just six or seven years earlier. Conflicts in Rwanda, Bosnia, and Croatia fractured the globe—except in those regions where nobody cared what was happening to a bunch of foreigners. O.J. Simpson was found not guilty of murdering Nicole Brown Simpson and Ronald Goldman. Right-wing military groups gained national infamy when Timothy McVeigh blew up the federal building in Oklahoma City. Forrest Gump won the Best Picture Oscar; the Rock and Roll Hall of Fame opened. Mickey Mantle and Jerry Garcia died. So did Howard Cosell, leaving Muhammad Ali without a verbal sparring partner.

            What about 1999, when my youngest daughter Maya was born? Well, the world didn’t end, meaning that we could no longer trust Prince as the major prophet in our lives. Nelson Mandela took over as President of South Africa, righting an enormous historical injustice; on the other hand, Yugoslavia imploded. Since Prince was wrong, computer scientists scared us all silly, prophesying that the dreaded Y2K bug would send us all hurtling back to the Stone Age. The Senate tried to impeach Bill Clinton for getting a blowjob in the White House, leaving the rest of us to wonder if they were jealous or just plain bored. John F. Kennedy Jr. died; racist asshole John William King was convicted of dragging a black man to death; and two disgruntled Columbine High School students massacred fellow pupils and teachers, prompting us all to revisit our notions of school security and the roles guns play in our lives.

            Well, all of us except the NRA, which kept insisting that guns don’t kill people; people kill people. Maybe so, but guns sure do help. One wonders how soon Dylan Klebold and Eric Harris might have been stopped if they had been armed with automatic switchblades, or a two-by-four with a nail in it.

            Gene Siskel and Stanley Kubrick died. Jerry Falwell’s homophobia extended to a Teletubby. The Blair Witch Project scared some of us half to death and bored others to tears. Shakespeare in Love won the Oscar that, with all due respect to a fine film, should have gone to Saving Private Ryan. George C. Scott died, meaning that Hollywood had lost one of its most gutsy, individual performers.

            So what does all this mean? Well, in some ways, nothing ever changes. Some guy (and it’s always a guy, and usually a white one?) moves into the White House; a bunch of people celebrate, while others throw tantrums. Great art is produced even as great artists die. Someone somewhere blows something up or shoots somebody; sports teams rise and fall and rise again.

            If you live long enough, you start to notice these similarities, patterns, and cycles. And once you start noticing them, a disheartening realization crashes in on you. “Jeez,” you might say, “I’ve been around a long time.”

            With some exceptions—Byronic teenagers, people with specific untreated mental or emotional conditions, a certain brand of religious lunatic, Wile E. Coyote (who by now has to realize that the boulder’s always going to fall on his head, not the Road Runner’s)—most of us want to be around a long time. But none of us want to face old age, do we? That first liver spot on the hands, the crow’s feet around the eyes, the gray hair, the aching back, the prescription reading glasses that sit on the end of your nose—these things send us running in blind panic to our mirrors, our cosmetic counters, our plastic surgeons. Our bodies function as Age’s roadmap even as it drives its steamroller directly over us, and when we consider all the events great and small that we’ve lived through, it only underscores how long we’ve been here. In turn, these realizations make us wonder how long we’ve got left.

            Our kids remind us of whom we used to be and what we used to look like—young, flawless (except for that zit that always seems to erupt on your nose on school picture day), energetic, idealistic, and vital. When Shauna was born, she looked purple; when I asked why, the nurse said, “Because the temperature in here is somewhere in the seventies. She’s used to 98.6.” That made sense. Then the nurse put her on the scale and said, “Nine pounds, thirteen ounces? Is that right?”

            “How the hell should I know?” I said. “You’re supposed to know how to work all this junk.”

            If you’ll allow me to use a cliché here, I can tell you with all sincerity that Shauna’s birth doesn’t seem to have happened twenty-two years ago; I remember it like it happened yesterday. But the evidence stands in front of me every time I see her. She’s grown, with a life of her own—an apartment, a job, an educational outlook, a political sensibility, a boyfriend, this last even though I told her a thousand times that she’s not allowed to date until I’m dead. Kids today just don’t listen.

            The scary thing is that she’s old enough to have a family of her own, and though she wisely doesn’t seem to be in a big hurry to do so, I know she could change her mind. A note to everyone reading this: I am too young to be a grandfather. Don’t even try to argue with me, or I’ll come to your house and staple your lips shut. Too young, do you hear? Too young!!

            My son’s now almost old enough to drive by himself. I distinctly remember what that was like—the freedom, the sense of adulthood, the deep red rage when I realized that my new milestone had doomed me to “run to the store” a million times. He’s also a football player, just like his old man. Well, not just like me—he’s much bigger than I was. When I played, I was a 120-pound wideout with okay hands and speed. I also had the vertical leap of a professional—professional sumo wrestler, but still. Seriously, I could clear six inches easily. But ask me to snag a pass much higher than that, and we were both going to come away sorely disappointed. And I would probably stagger off the field gasping from that linebacker who planted his helmet in my floating ribs.

            Brendan, on the other hand, weighs about as much as I do now—north of 190, south of 200—and he’s pretty fast, too. He’s currently playing defensive end. If he keeps growing without losing any speed or dexterity, he’s going to be a handful, even for the meatiest offensive linemen.

            So when I look at him, I often see a stronger version of my younger self. More dedicated to sports, too—I loved the games but hated practice. Hated it. When I was his age, I went to practice with only slightly more enthusiasm than a death-row inmate walks toward the electric chair. If somebody had told me that I could play in the games without practicing if I agreed to get publicly flogged and caned, I’d have had to think about it seriously. That’s why he’s almost guaranteed to be more successful than I was. He loves the whole experience. He’s the kind of player I wish I could have been. I’ve done well for myself academically—Ph.D., people!—and that started in grade school. But when I wish I could go back and tell my younger self to shape up in practice, I think of Brendan and know that he’s doing better without all the hindsight I’ve stockpiled.

            Still, knowing that my son’s playing varsity this year—not Pee Wee or Pop Warner, not eighth grade, not junior high, but varsity—I look in the mirror and wonder how it got to be so late.

            Sometimes my kids are quick to remind me about the chronology of my life. When Shauna was graduating high school, I and several other members of my family—Kalene, Brendan, Maya, my mother, my grandmother, my aunt Sandra, my cousin Holly—went to the ceremony. At the hotel, Brendan’s face lit up, as if he had just figured out how to bend the space-time continuum. Then he said, “Hey, Dad. If Shauna’s eighteen, and you’re thirty-six, that means you had her when you were—”

            “Yeah, yeah, yeah,” I said. “Now you decide to use math in the real world? Let’s drop it.”

            Yes, Shauna got her diploma four and a half years ago and is, as of this writing, contemplating a return to college. Brendan enters tenth grade this year. And Maya will be twelve in November. She’s almost a teenager. I have no more babies.

            It’s odd how being around my kids can make me feel so young and so old at the same time. I feed on their energy even as it exhausts me. I revel in their lives even as I shrink in horror at how those lives are moving so quickly away from me. With Shauna’s job and the physical distance between us, we can only see each other a couple of times a year. Brendan is at the stage where his friends and social life seem more important that hanging with Dad; I’ve been there, so I understand, but it’s still tough. I’m glad he still comes for holidays. As for Maya, she spends the summers with us, and that’s always fun, but I’m sure the time is coming when her own friends, and interests, and those fearful romantic stirrings take precedence.

            And when the nest is empty, when the kids have all finished their educations and gone off to live their own adventures, even a non-custodial parent like me will probably feel ancient. It’s a moment that will fill me with pride and regret. And when that moment passes, I will probably sit down next to Kalene in the matching rocking chairs we’ve recently bought. I’ll probably take a nap during the ball game. I doubt I will ever catch her knitting or doing those other typical grandmother things, but I’m sure she’ll be reading a good book as our life enters its early afternoon.

            And when I wake up and stretch my increasingly creaky bones, I’ll probably look around me and say, with a mixture of pain and satisfaction, “Where did the time go?”

            Follow me on Twitter @brettwrites.

            Email me at semioticconundrums@gmail.com.

            Thanks to www.infoplease.com for reminding me of what happened when, especially from the following pages: http://www.infoplease.com/year/1989.html; http://www.infoplease.com/year/1995.html; http://www.infoplease.com/year/1999.html.

Has Anybody Seen My Teeth? Introduction #nonfiction #writing

Has Anybody Seen My Teeth?

 Introduction

             On October 26th, 2010, I woke up and realized that I was forty years old. Now understand that I was an English major, so any time I find myself doing math, I have to apologize in advance. But I’m pretty sure that means I’ll be forty-one this year. My fifth decade on Earth has begun. I have three college degrees: a B.A., an M.A., and a Ph.D. I’ve been married three times and divorced twice. I have three children, the oldest of whom is twenty-two years old as of this writing. I first moved out of my parents’ house twenty-three years ago; I got my first job that same year. I’ve been writing my whole life, though only trying to make it good and sharing it with others for perhaps three years. I have taught in colleges and universities since 1996. I’ve stockpiled all these experiences, and now, at what I hope is not even the mid-point of my life, I have found that one question seems to override all the others.

             How the hell did this happen?

             How did I get to be forty years old? Don’t get me wrong; I’m grateful to be alive and healthy. I hope this ride continues for at least another fifty years. But forty? Me? How did it happen so quickly? Just yesterday I had just turned twenty-one! I specifically remember going out to a restaurant and ordering a drink, mentally daring them to card me. But nobody did.

             Heck, only two years earlier, my oldest daughter Shauna was born. I can still remember seeing her come into the world, hearing her first cry, asking the nurse why she was so purple. I remember stepping out into the hospital hallway with her in my arms and spotting my school chum Jennifer Tedder, who was there visiting someone. All that couldn’t have happened so long ago.

             No, scratch that. Only yesterday, I turned eighteen. I did so too late to vote in the 1988 elections, but still, I vividly recall feeling proud when I knew that I could go to a polling place and participate in the Great Democratic Experiment. Yes, Ronald Reagan may have come and gone without having to worry about my voice in the opposition, and maybe George H.W. Bush squeaked his Presidency in before I could do anything about it. But from then on, buddy, you’d better believe that I would stand up for what I believed! Unless, of course, I ever convinced myself that my vote no longer mattered, that politics had become too corrupt and the process too labyrinthine to seem worthy of my involvement. After all, one vote couldn’t possibly make much difference, could it? If only I had been able to foresee Florida in 2000, I might never have gotten so complacent. But back in 1988, I embodied the spirit of American youth—optimistic, fiery, opinionated, and arrogant.

             But wait—just yesterday, wasn’t I actually twelve years old? Hadn’t I just had my heart broken for the first time when my first serious girlfriend (hi, Angie!) dumped me, wrongly thinking that I liked her best friend? Of course, that relationship could hardly be termed “serious” in the context of adulthood, but back then, it seemed like the most important thing in the world. I remember sitting in my parents’ driveway, the gravel warm under my ass, sweat dripping down my face and back as I scanned the rural neighborhood we lived in. I could honestly not understand why people thought that life was so damned charming. I moped so much that my mother tried to intervene, God bless her, stopping my now ex-girlfriend in the street and telling her that I still liked her.

             Boy, was I mortified. When you’re a kid on the cusp of teenagerdom, the last thing you want is for someone to remind you that you’re still a child. And watching my mother stick up for me made me feel like a pre-schooler whose favorite toy had been confiscated by the local bully. She meant well, of course, and as a parent, I honestly don’t know what I would have done in her place. Probably the same thing. And that’s another way you know you’re getting older; you realize that, about some things at least, your parents were right.

             Hang on, though. I can’t possibly be forty because I can still remember the first time I went to tee-ball practice, and my first day in kindergarten, and my first “girlfriend,” a neighbor’s child who often came out to play still carrying her pacifier. All these memories don’t seem so far away, so how can they have occurred so long ago?

             Other things seem to have happened to someone else. The time my cousin broke my leg and knocked me out by running over me with his mini-bike. The time I got shoved into a water-filled ditch and came up covered with welts, some sort of chemical interacting with my sensitive skin—the panic that came crashing in as my body started to change, the feel of my parents’ hands on me as they dragged me to the car for the speedy trip to the emergency room, the look on my best friend Steven’s face as he wandered in the yard to see what I was up to, only to watch me being carted away, screaming like a criminal run to ground. The time I shoved a kernel of popcorn up my nose, just to see what would happen.

             But they all happened to me, and all of them—the good and the bad, the somber and the silly—helped shape me into who I am today. I accept them all; I need them all to be me. But still—forty? Soon enough, forty-one? Where did all those years go?

             Any of the aforementioned events would make a good subject for a reflective essay. I could write a book on what it’s like to be a parent and to have become one at such a young age. I could tell you about my marriages and how I’ve succeeded in some ways, failed miserably in others. I could tell you about my early encounters with racism and religion and sex and alcohol and the searing pain of losing people close to you. I hope to write about it all and more one day, Lord willing.

             What concerns me here, and in the series of essays that will occasionally follow, is the idea of aging itself—the comedies, the little tragedies, the absurdities. Mostly these writings will ruminate on ways that you can tell you’re getting older, even if your body still feels pretty good and your mind tells you that you’re still the twenty-one –year-old kid who can drink all night, work the next day, come home and play video games with your friends, and get up the next morning, ready to do it all again on two hours’ sleep out of the last forty-eight. I’d like to examine the paradoxical attitudes we take toward aging—how as children we can’t wait to grow up so that we can do what we want, the way that our young adult selves strive to break from our role models and build a life of our own, and the later realizations that suddenly we are the role models, the standard that has to be surpassed. How we wish we were kids again, so we could do whatever we wanted.

             Mostly, I’d like to share with you my shock at finding myself forty-plus years old and an authority figure—a grown-up, a teacher, a father—when inside I still feel as fresh as a spring morning.

             What you will read, should you choose to walk through this series with me, is a set of thematically-linked but not necessarily chronological ruminations. And you will read them in early-draft form, warts and all. I will likely engage in one revision and some sentence-level editing, reserving the right to revise much more thoroughly later.

             What this means is that you, reader, can participate in the creation process. Do you have questions that I haven’t answered? Tell me about them and, should I ever revise these works for a book project, I’ll take your advice into consideration (even if I self-publish—I can’t see ever abandoning the prestige and potential benefits of the publishing industry and its passel of excellent editors, agents, readers, and writers, but with some projects, self-publishing appeals to me greatly). Do you find that the organization or sentence-level writing needs some work? Tell me about it and I’ll take a look. Do you really, really want me to write about a particular thematically-related subject? Tell me about it, and, if I think I have something to say, I’ll oblige. In other words, this project in its current stage can be, to some extent, interactive. The writing will be mine; the life I write about will be mine. But you can help shape it if you like.

             If you don’t, I hope that something in the work speaks to you. I hope you find it worth your time. If not, well, maybe my next post, or story, or poem, or book will reach you better than these do.

             As for aging itself, it’s certainly better than the alternative. Besides, forty isn’t old. Heck, I refuse to call myself middle-aged until I’m at least fifty. In this way, at least, I’m an optimist. I’ve got too much to do and see; I can’t get old for a long time, God willin’ and the creek don’t rise, as we say in the south.

             Still—forty? My parents, maybe, but me? Forty? Already?!?

             Ah well. For now, I must finish this little introduction and get on with my day. It’s getting late, and I still have to eat before I take my fiber and cholesterol medication, fire up my C-PAP machine, and get some sleep. Now…has anybody seen my teeth?

 Follow me on Twitter @brettwrites.

Email me at semioticconundrums@gmail.com