Here’s my favorite haiku I’ve written to this point. Love it? Hate it? Don’t give a rat’s ass? Let me know.
One Friend Said to Another
Death gives me head in
Open elevators while
You stand by and watch
Here’s my favorite haiku I’ve written to this point. Love it? Hate it? Don’t give a rat’s ass? Let me know.
One Friend Said to Another
Death gives me head in
Open elevators while
You stand by and watch
My next nonfiction piece here was going to be about language fair and foul. That column is still coming, but I felt that this one was more pressing. Thanks for indulging me.
A Hole in the World: Life, Death, and What We Leave Behind
Yesterday, Kalene walked into the room, her eyes filled with tears.
“What’s wrong?” I asked.
“Tom Pilkington died,” she said, her voice broken by deep sobs.
I felt shocked like I suppose you always do when someone you know dies. I began calculating his age and knew that he was, by my standards, far too young; I think that with today’s medical technology, anybody’s too young to die unless they’re at least 85. Tom was much younger than that, and, I had assumed, healthy. But after her crying abated for a time, Kalene told me that he had in fact been severely diabetic, a condition that likely contributed to his death. It’s too soon for us to know all the details, but the very suddenness of his passing seems too tragic and frightening to ignore. I guess we’re all truly living on borrowed time. To echo Andy Dufresne in The Shawshank Redemption, we’d all better get busy living, because we’re already busy dying.
I suppose that’s morbid, but it’s also true. I think about what I’m doing with my life all the time—the work I’m doing, the effects I’m having or lack thereof, and so forth. We probably all do it, especially when someone we know dies.
I didn’t know Tom Pilkington well. I met him once, ten years or so ago. He struck me as a fine man—kind, generous, intelligent. He was an academic who took his profession seriously, yet he did not strike me as the kind of man who only thought about overblown theoretical abstractions. More to the point, he served as Kalene’s professor, Master’s thesis director, mentor, and friend. She thought the world of him, and that’s good enough for me.
Word of his passing spread quickly. Kalene found out from a friend’s Facebook post. She called her other friend and mentor, Dr. Mallory Young, and together they commiserated, sharing information and memories. I did not listen to their conversation, but knowing both of these wonderful people as I do, I know they were supportive of each other and devastated that such a good friend and colleague had passed on.
Tom’s death has left a hole in the world. People like Kalene will miss him greatly for the rest of their lives. He made a positive impression on people. He leaves behind a body of academic and critical work that will keep his name and spirit alive. His death created ripples that touched everyone who knew him and set off a chain of Facebook posts, phone calls, and, undoubtedly, emails and face-to-face conversations in which the news spread quickly, running just ahead of the sadness and pain.
By contrast, let us consider the case of Yvette Vickers, the 82-year-old former actress and pin-up queen. On April 27th, the same day that tornadoes ravaged Alabama, a desiccated, nearly mummified corpse was discovered in her home. According to Entertainment Weekly and other sources, the body is believed to be Vickers’, though its condition will slow identification. Authorities believe that Vickers, if the body is indeed hers, may have died nearly a year ago.
At the end of the fall 2010 semester, I took a portable DVD player to school during finals week. I also packed a cheap collection of old horror films, just to pass the time as I waited for students to show up and turn in their final papers. I reached into this collection, which contained some true gems like Metropolis and Nosferatu but mostly covered B- and C-pictures, and randomly pulled out Attack of the Giant Leeches.
This film just happened to star Yvette Vickers.
She played Liz Walker, the hottie cheating wife of a local store owner. If you should ever have the misfortune to watch the film, you’ll probably find that Vickers’ portrayal of a backwoods cuckoldress is about the only memorable part. The acting is forgettable (including much of hers); the “monsters” look less like leeches and more like men dressed in poorly-painted garbage bags. At barely over an hour, the film’s running time doesn’t even qualify it as feature-length by today’s standards.
But Vickers’ character is much more interesting than the rest—the annoying lover who glad-hands the cuckold husband until they get caught, at which point he happily throws his lover under the bus; the overweight husband who, the audience is encouraged to believe, should never have been with this woman in the first place for all kinds of reasons; the bland hero and heroine, who seem to have nothing better to do than paddle around a swamp all day. Vickers’ Liz Walker dismisses her husband as the hick buffoon that he is, her voice dripping with condescension. It’s a mostly one-note performance that calls for little else beyond a bit of screaming and lolling about in underwater caves, pretending to be exhausted from all the blood-letting. But she plays the one-note well enough to stand out in such a crummy film.
Vickers starred in other cult films like Attack of the 50 Foot Woman and even had a part in HUD. She was hardly Elizabeth Taylor or Meryl Streep, but she worked in film and TV for years. She was not homeless; in the news articles I’ve read, neighbors described her as a quiet person who kept to herself, who seemed to love her flowers and her privacy. She was not, unless I’m mistaken, a shut-in, given that people had seen her outside her home enough to recognize her.
In the age of Facebook and Twitter, of cell phones and Skype, of iPads that can track your location and GPS systems available for cheap on the Internet, how does a person like Yvette Vickers disappear for nearly a year without anyone noticing?
Though we should be disgusted and saddened at the fact, we would understand if she had been homeless or a completely isolated agoraphobe. Our society seems to view certain people as disposable; in fact, we seem to have implicitly agreed to a hierarchy of existence. Somehow, even though she was white and financially solvent enough to afford a house, Yvette Vickers fell through the cracks. She lived; she died; she shriveled up like a piece of jerky. And for almost a year, no one noticed.
Even if the body in her house turns out not to be hers, she has still effectively disappeared; in fact, that would mean that two people have vanished as if they never existed—Vickers and whoever lay in her house for all those months.
How is such a thing possible? How could we have let it happen? Are we so self-involved that we don’t even miss people when they’re gone unless someone calls us or leaves a message on our walls or waves a sign in front of our faces?
Whenever we think about our deaths, it is, I would imagine, difficult for us to picture the world without us in it. After all, we’ve never known life to go on without ourselves. Sure, we know logically that the universe existed before us and will keep on going long after we’re gone. But it’s one thing to know logically and another to understand on a deep emotional level. When we die, we will leave people behind. Our houses and our cars will still stand where we left them, and someone will have to deal with them. But we all hope for more of a legacy than that.
For some of us, our kids will be our legacy. For others, the work we do will resonate in the post-us world. I am lucky enough to have both three children who are all turning into good people and careers in teaching and writing. Though nothing is guaranteed, I’ve got a better shot than most people do, the kind of shot Tom Pilkington had.
But it’s also similar to the kind Yvette Vickers had, and I believe that even the most jaded among us don’t want to end up like she did. We hope people will remember us fondly. We hope they will remember us, period.
Vickers worked in the horror industry, so I think it’s fitting that I end this piece with a reference to the best horror-romance-comedy-adventure universe in the history of television—that of Buffy the Vampire Slayer. In a classic episode of the Buffy spin-off Angel, our main character and his frenemy Spike have ventured into a subterranean realm in an attempt to cure their friend Fred, who has fallen victim to the vengeful spirit of a demi-god. Afraid for Fred and saddened at their failure to find a cure, Angel and Spike find themselves looking down the throat of an enormous cavern that, allegedly, goes all the way through to the other side of the planet.
Spike, his voice much more somber and restrained than usual, looks at Angel and says, “There’s a hole in the world. It seems like we ought to have known.”
Tom Pilkington left a hole in the world, and everyone who knew him is standing beside that hole, wishing that he were here to fill it. Yvette Vickers left no such hole; her passing barely made a ripple.
How will we end up? Who will notice when we’re gone?
Follow me on Twitter @brettwrites
Email me at semioticconundrums@gmail.com
**UPDATE** This week’s Entertainment Weekly has a feature article on Vickers, in which they provide subsequent details. It seems that, suffering from dementia, Vickers did become a shut-in during the last months of her life; the woman who found her reports that she had barricaded herself inside the house. Still, I think the point holds; how could no one realize that she had been dead for so long?**
Sorry for the lack of updates over the last week. I’ve been finishing up the spring semester. Now I’ve got a lot of revising to do, so it may be another week or so before I can write a new column here. In the meantime, here’s another old flash piece I’ve got in my files. I’ll post something new ASAP–hopefully in a couple of days at most.
February 23rd, 2004
The rapper was shouting something about bitches and bullets, but we couldn’t hear him. The bass was crushing us, driving us against the wall, like the heartbeat of some angry, insane god. Someone near us was pulling out a Gat, but none of us cared. We were all holding our ears, driving our palms into our temples. I felt that something inside me was tearing loose, was being driven out of its hole and into the dark of the club. I saw the flash of the muzzle, watched the gun jump in his hand, but I heard nothing but bass, the backbeat of someone’s death.
Another Storm of the Century: A Voice from Tuscaloosa
Back in August of 2005, I sat in my second-floor Baton Rouge apartment and watched Hurricane Katrina swirling over the Gulf of Mexico. The monster storm angled ever closer to the Louisiana coastline, headed, it seemed, for New Orleans, my favorite city in the world. Like every other person who gave a damn, I could only watch in helpless horror as the coasts of not one but three states—Louisiana, Mississippi, and Alabama—crumbled before Katrina’s fury. In my part of Baton Rouge, we lost power for thirteen hours or so. Some of our refrigerated foods spoiled. An hour away from New Orleans, I listened to the rifle cracks of trees splitting in half around our complex and could only imagine what it must be like at the sites of landfall. I ventured outside to check on my car, performing the mime “walking against the wind” routine, only with actual wind; I had to lean forward nearly forty-five degrees and plod along as if I were knee-deep in swamp mud. When I ascertained that my car had survived the floral carnage in evidence all around me, I turned back and found myself high-stepping along like a cartoon sprinter, the hurricane-force winds now at my back. For a moment, I felt as if I might lift off the ground and sail away.
Later, when the levees broke and flooded the city, I screamed in frustration. As the remaining inhabitants of New Orleans stood on rooftops and small concrete islands just above the putrid waters, as those stuck at the Superdome and Convention Center stewed in their own filth and died while waiting on an absent government to help them, Kalene and I donated to shelters and prayed for the city. We waited fearfully for word from our friends who had been stuck in town or stayed out of a sense of duty. We watched the news religiously and saw Hollywood actors and pro athletes arrive to help, long before the President showed up. We heard tales of lower parish officials welcoming members of the Royal Canadian Mounted Police who somehow arrived before FEMA. A week after most people had finally gotten out of the city, we saw a good friend who had stayed behind at his university in order to help students with nowhere to go. He had easily lost thirty pounds and told tales of returning fire while unknown assailants shot at him.
Six years later, New Orleans still needs help. And as I sit in Northport, just across the Black Warrior River from Tuscaloosa proper where I work and spend half of my time, I have to wonder what the state of Alabama will look like in 2017.
I’ve heard a lot of comparisons between the tornadoes that ripped apart the south last week and Hurricane Katrina. I suppose some of these comparisons are apt. Both storm systems devastated enormous areas of the south. Having lived through both, and having been lucky or blessed enough to experience only a near-miss each time, I would have to say, if you put a gun to my head and made me choose, that Katrina seemed worse to me; it crushed the coasts of three states, put an American metropolitan center under water, and destroyed millions of people’s faith in the American system itself. The death toll was higher; the victims waited much longer for aid.
But such comparisons are, I believe, ultimately pointless. The fact is that both storms unleashed almost unimaginable power. They both trashed homes and took lives indiscriminately. Argue that Katrina is worse until you’re blue in the face, but I defy you to do so in front of those who lost loved ones to the tornadoes. Tell that to those standing outside the giant piles of kindling that were, just a week ago, solid homes that people had spent lifetimes creating. Suffering is suffering; death is death.
What I am more interested in talking about today are the lessons that Katrina taught us and how I’ve seen those lessons in action over the last several days.
It all began so similarly. Again, I sat in my second-floor apartment, watching as an apocalyptic storm system bore down on my home region. With Kalene and our cat Cookie McSnowshoe already ensconced in the illusory safety of a bathtub, our electronics and important files piled around them, I watched the tornado sweep into Tuscaloosa. I was sitting in the center of my couch as the local news showed footage from their tower cam. They panned the camera until the tornado churned in the center of our television screen, the debris cloud clearly visible even in the distance. The wedge tornado split my screen so efficiently that, sitting before its bifurcated symmetry, I knew what an animal must feel like when the hunter looks through his or her scope and centers the target, crosshairs nestled just behind the forward shoulder. It seemed that the storm was coming straight for me.
“Sweet Jesus,” I said to myself as rain drove against our balcony doors and forks of lightning split the sky outside. On screen, the city lay in the path of the tornado like a model Tokyo waiting for the man in the Godzilla suit to step on it.
Soon enough our cable and internet failed. I joined Kalene in the bathroom and listened as my father, calling from a South Carolina hotel room on a business trip, narrated the tornado’s path. He stayed on the line, calling back whenever we lost the signal, until he heard that the storm had moved past Tuscaloosa and had headed on to Birmingham. At that point, Kalene and I emerged from the bathroom and into a different world.
No, our apartment had not been damaged. We never even lost power. But as more and more reports came in about the devastation, we knew that things were different. We often think of our time in Louisiana as occurring in two periods—before Katrina and after. Now we would mark our lives in Alabama the same way. Our cable and internet came back on early Friday morning—probably the only good thing that Comcast has done for us in our five years here—and we saw the first images of what we had only heard about. Whole neighborhoods flattened. Businesses wiped away. A gutted Hobby Lobby stood beside a pile of rubble that had once been Big Lots. The Alberta neighborhood had been reduced to matchsticks. Forests of mighty trees had been crushed flat in odd patterns, like crop circles in corn.
We would soon learn that some of our friends were homeless. Others learned that their lives had hung by the thinnest of threads. And some, like us, somehow escaped the carnage entirely. The tornado took a right turn and angled away from us. If it had kept on its course, it might have hit our apartment directly. And then they probably would have found me in Georgia, Kalene in Kentucky. We heard tales of young people dying—the three students who clung to each other in a bathtub until the storm was over, two of them surviving, the other found a quarter mile away. The four people who hunkered down in a closet until, the tornado having passed, one of them stood up and realized that he was the only one left, the others whisked away like so much straw in the breeze.
Why were some killed and others spared? Why were some homes leveled and others not even touched?
I don’t pretend to have those answers. What I do know is this: what I’ve seen so far inspires me.
In the finale of Treme, season 1, Steve Earle sings, “This city won’t wash away. This city will never drown.” In spite of all the natural, political, economic, and sociological obstacles in their way, New Orleans and her people have endured. I am now seeing the same resolve all around me in Tuscaloosa.
Trucks loaded down with bottled water, young workers and college students stacked in like cordwood as the vehicles roll into the teeth of the disaster. The sound of chainsaws and human voices singing their songs of labor as trees are removed from rooftops and living rooms. Low murmurs of comfort in contrapuntal relief with the wails for the dead. The hopeful calls of searchers as they dig through the heaps of refuse that were once houses, everyone hoping against hope to find more survivors. An outpouring of sympathy and money and labor and love.
These are the best lessons from Katrina—that in this life, the only thing we can really count on is each other. Working together is always better than working alone. Pain shared is pain overcome. Helping one’s neighbors, and even one’s enemies, is the right thing to do, no matter the cost. I have seen a President appear two days after the storm, not a week, and rather than making a long speech in an empty square that he attempted to fill with false promises, he took action. I have seen federal monies allocated quickly. I have seen insurance companies acting responsibly—at least for now—rather than exploiting every possible loophole that might allow them to piss on the injured and the destitute. I have heard of FEMA sightings, which in Louisiana were as rare footprints of Bigfoot. I have seen a people rise from the debris to take the hands of other human beings who stepped outside their own spheres of plenty long enough to help.
And so, thanks to the human spirit and their people’s own indomitable wills, I believe that my current home, like New Orleans (city of my heart), will endure. It may take time and effort and money, but it will happen. And I hope that in New Orleans and Tuscaloosa and numerous smaller towns ripped apart by wind and water—including Vilonia, Arkansas, where my two youngest children live—we will all continue to do our part. Let us take each other’s hands long after the television cameras are gone. Let us support each other even when there’s no profit in it. Let us look past our ideologies and into each other’s eyes. If we can hold each other’s gaze, we’re probably doing all right.
To do so is not conservative or liberal, socialist or communist, democratic or republican. It’s the decent, human thing to do.
And if we can do it in the aftermath of a storm, why can’t we do it when the skies are clear? Why can’t we apply these same principles and acts to the problems of disease, poverty, racism, homophobia, sexism, education, and homelessness? Why do we refuse to come together, to take care of each other, until nature tears us apart?
Some would say that to do so would be to be un-American. If that’s true, we should be ashamed of ourselves. To me, the true American spirit can be witnessed in the former graduate student who’s coming back to Tuscaloosa on his own dime, bearing water and food and a chainsaw, because he cares. We can see it in the lives of those who take in the newly-homeless, who donate their time and money and the strengths of their backs to assure that this storm does not define Tuscaloosa’s history.
We can see it in each other, if only we bother to look.
Follow me on Twitter @brettwrites.
Email me at semioticconundrums@gmail.com
Here’s the poem I read at Monday’s “Poets Picking Poets: Poetry and Pastries” event.
You’re Doin’ a Heckuva Job
The current shoves us toward
The wards and tin-roof neighborhood
And jostles hungry orphans as they
Wade across the streetcar tracks
While down on Dauphine pictures snap
And cell phones left on vibrate wake
The tourists fresh from Omaha as
Traffic drowns on Poydras Street
From above we must resemble
A child’s sandcastle half-built
Ramparts crumbling in high tide
Motion of inevitable breach
And I remember when I didn’t vote
When plywood nailed to windows seemed like strength
And councilmen found other pressing needs
As mayors fought for looser liquor laws
We wade upstream to higher richer ground
We stop to help a toothless woman die
Her grandson wails a dirge as we adjust
The lie we tell ourselves in bed at night
And know we own the water at our feet
The children’s dreams that none of us would save
The barriers that we never quite forgot
The shields we always knew would fail
And believed in anyway
Papers rained down all around her. One fluttered onto her face and she pushed it away, noticing that she had given the student a high B after all. Lying on her back in the puddle, water soaking into her suede skirt and probably ruining her new leather jacket, she remembered how he had approached her, eyes downcast, voice low, obviously embarrassed. He had told her that his grade in her class would determine whether or not his pre-dental program would accept him. She hated it when students told her their problems, asking for A’s or B’s without using the actual language or mannerisms of a request. The paper had not deserved a B, probably not even a C, and yet there it lay next to her, the red pen markings bright and ugly. She sat up, her ass soaking wet, her fingers flinging droplets of water onto the paper. The red ink smudged and ran.
Email me at semioticconundrums@gmail.com
Follow me on Twitter @brettwrites
The issue of Folio with my story “The Cat in the Backyard” has gone to print. Look for it soon wherever you get your literary magazines. For more information about Folio, look here.
I am completely swamped with grading and won’t have time for much new material, if any, until after final grades are turned in three weeks from now. In the meantime, here’s an existing poem from my younger days. Can you tell where I grew up?
Arkansas Possums
For Miss B and Mister L
The August night skims
On a million wings,
Vampires who make love
Malarian position.
The moving storm drops
Cloudy pods of light,
Fitful sparks against
Dusty, ancient Mason jars.
The humid night wraps
Tight about the Earth,
A bitter fisted
Salute to her nothingness.
Young boys panther roads,
Search back seats for love,
Dropping fifths and pints
In weedy summer ditches.
Possum smashed to dust,
Blood still fiery bright,
Solitary waste
On hellish backroads,
Transfixed in gravel,
Its surprise like a buck deer’s
Round spotlighted eyes.
Yesterday, Jeanne Leiby passed away. She was the editor of The Southern Review, the literary journal of LSU, and a very nice person. She once penned a personalized rejection note that made me feel almost as good as an acceptance would have. The world of American letters has lost another light.
February 5th, 2004
The most frightening part of the trip occurred when they ducked into an Asian grocery store and she saw him steal four packages of soba noodles. He plucked them off the shelf and stuffed them into the inner pocket of his coat in one smooth, practiced motion, and she realized that he had done this before, God only knew how many times. The soba noodles were on sale, four packages for one dollar and forty-nine cents, and she knew for a fact that he had over six hundred dollars in cash tucked into his wallet, alongside three major credit cards.
He refused to look at her as they left the store. As they turned onto the sidewalk, he broke into a walk that tried to evolve into a trot. She had to scurry around other pedestrians to keep up with him. That night when he cooked the noodles for her, they tasted bland in her mouth, as if all the flavor had come off in his coat pocket.